Repositorio Institucional de la PUCP

Documentos depositados recientemente

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Presentación. Revista Arte y Diseño A&D; Núm. 11 (2025)
(Pontificia Universidad Católica del Perú, 2025-12-04) Chiroque Landayeta, Enrique
No presenta resumen.
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La explosión contracultural de la historieta: Exposición La bande dessinée 1964-2024. Una mirada a clásicos contemporáneos en el Centro Pompidou de París
(Pontificia Universidad Católica del Perú, 2025-12-04) Chihuán Trevejo, José Carlos
This is a recounting and descriptive analysis of the last major retrospective exhibition about the world comic on the emblematic Parisian building. It is also an approach to the creative process of icons of the «ninth art», getting to know and recognizing original pages of emblematic authors that cover the last sixty years of comic production worldwide, both from the mainstream and alternative medium.
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Nunca llueve en Lima, fabrico mi lluvia
(Pontificia Universidad Católica del Perú, 2025-12-04) Avalos Carrillo, Guillermina
Lima is a city where rain is like an elusive whisper, where humidity floods nearly everything without a single drop ever falling. In 2020, when the world came to a halt, I found myself trapped on the seventh floor of the Coloso de Tacna, the tallest building at the intersection of Tacna and Colmena in Lima’s Historic Center. That bustling, lively crossing had suddenly fallen silent. From the window, I observed the urban landscape, longing for the drizzles that once caressed my childhood. With the world closed off and my view restricted, I explored various techniques to photograph an imagined summer rain, one that only existed in my mind. This was a fabricated, fictional rain, much in line with Fontcuberta’s perspective that «every photograph is a fiction presented as truth» (1997, p. 15), and Baudrillard’s principle of simulation, which claims that a photographic image is, rather than representation, fiction (Damiano, 2014). So, I crafted a fictional rain, a fictional record, using water vapor and translucent surfaces to create ephemeral drops that slide slowly in front of the city. The light’s refraction in these drops multiplies Lima’s architecture, capturing the buildings in fleeting capsules, allowing the city to be seen through drops that gently trickle down.
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El abordaje de la obra poética de Blanca Varela en la exposición Aniquilar la luz o hacerla (Arequipa, 2022-2023)
(Pontificia Universidad Católica del Perú, 2025-12-04) Patiño Núñez, Alberto
This review proposes a reading of Blanca Varela's poetics in counterpoint with the artistic exhibition based on her work, held in Arequipa between 2022 and 2023 and sponsored by the BBVA Foundation. It seeks to establish connections between Varela's poems and contemporary visual artistic work, and to specifically explain how his work is fundamental in the visual work of 18 Peruvian artists, who used his poetic work to carry out their personal artistic inquiries.
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Arenas
(Pontificia Universidad Católica del Perú, 2025-12-04) Villacorta Chávez, Jorge
No presenta resumen.

Documentos depositados recientemente

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