Conexión

URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/175299

ISSN 2305-7467
e-ISSN 2413-5437

La revista Conexión es una iniciativa académica del Departamento de Comunicaciones de la PUCP, que tiene como objetivo fomentar la investigación y la redacción de ensayos vinculados al tema de las comunicaciones. Se publica una vez al año y colaboran en ella profesores de planta del Departamento, así como investigadores y docentes invitados de otras universidades del país y del extranjero. Los artículos publicados en la revista son originales y se someten a una revisión editorial antes de ser publicados.

Los campos de interés de las comunicaciones son amplios y variados, y esa diversidad de miradas es la que garantiza la interdisciplinariedad de nuestras búsquedas, vincula la heterogeneidad de nuestros objetos de estudio y conecta de manera transversal nuestros hallazgos. En la actividad de la vida académica, Conexión ofrece un lugar de encuentro para la comunicación social con los otros dominios del saber.

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Filtros

2017 - 201922020 - 20221

Ajustes

Temasearch.filters.applied.operator.equals: search.filters.subject.Política

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Mostrando 1 - 3 de 3
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    Representación de la protesta social en las movilizaciones ciudadanas en el Perú durante el periodo pre- y poselectoral de 2021: análisis desde la visualidad de un trabajo fotográfico
    (Pontificia Universidad Católica del Perú, 2022-07-27) Velarde Castillo, Jackeline Sofía
    Aldair Mejía is a Peruvian photographer who became moderately well known in the outbreak of social protest in Peru during November 2020. His work has recorded the citizen mobilizations in the country before, during and after the last presidential elections of 2021, that gave Pedro Castillo as the winner. The subject of this article has to do with, from the visuality, exploring and describing the representation of the social claim in this photographic work, using three photographs as the object of analysis. The methodology of visual analysis has been specifically used and it is not intended to generalize the meaning and implication of the images in other contexts. The focus has been on defining what kind of visual discourse these images constitute in the context of the enunciation and repetition of messages, mostly contrary, by the media, economic powers and defenders of the status quo, in the context of the political tension between candidates and what their figures represented until the announcement of the official winner.
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    La fotografía como proceso: la experiencia en un taller de fotografía con jóvenes de Badalona (Barcelona, España)
    (Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-01-23) Holgado, Claudia
    Within the framework of the Secondary School Accompaniment Program of the Social Space of Llefi à, Badalona (Barcelona, Spain), I carried out a photography workshop whose main objective was to allow young people to experiment with the photographic image and build personal visual narratives. This proyect proposes to understand the photographic experience as a process and not only as an aesthetic result. The article aims to account for the methodology used in the collaborative construction of a workshop and, this way, narrate the dynamics, encounters and links that can be generated from the photographic learning and the resulting images.
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    Lo étnico en política: notas en el caso peruano
    (Pontificia Universidad Católica del Perú. Fondo Editorial, 2017-08-17) Olivera, Luis
    This article addresses a subject of singular relevance in the current debate regarding the role, weight and dimension that ethnicity plays in organizing and reforming politics in the 21st century in Peru. Based upon the Peruvian process, an analysis considering political science, history and communication allows the paper to discuss the presence of Peru’s indigenous peoples in a historical continuity from their natural adaptation to the Andes, through the Inca expansion, the devastation of the conquest, the ruptures of colonialism, the continuities of the republic, to the fallacious proposition of an ethnocacerist identity. It also addresses the particular manifestation of the ethnic concept in Peru today, as a novelty driven by the International Monetary Fund and the World Bank. Finally, the article points to the challenge of intercultural communication in an objectively multilingual and multicultural society.