Conexión
URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/175299
ISSN 2305-7467
e-ISSN 2413-5437
La revista Conexión es una iniciativa académica del Departamento de Comunicaciones de la PUCP, que tiene como objetivo fomentar la investigación y la redacción de ensayos vinculados al tema de las comunicaciones. Se publica una vez al año y colaboran en ella profesores de planta del Departamento, así como investigadores y docentes invitados de otras universidades del país y del extranjero. Los artículos publicados en la revista son originales y se someten a una revisión editorial antes de ser publicados.
Los campos de interés de las comunicaciones son amplios y variados, y esa diversidad de miradas es la que garantiza la interdisciplinariedad de nuestras búsquedas, vincula la heterogeneidad de nuestros objetos de estudio y conecta de manera transversal nuestros hallazgos. En la actividad de la vida académica, Conexión ofrece un lugar de encuentro para la comunicación social con los otros dominios del saber.
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Ítem Texto completo enlazado Utopía del Otro(Pontificia Universidad Católica del Perú, 2022-07-27) Rozalski, MaciejThe text deals with ideas and projects in culture and arts, especially visual arts and performingarts in Brazil aimed at the construction of identity through post-colonial resistance mixed with the modernist utopias of the 20th century. South America, freeing itself from the oppression of the colonial era, had to redefine its national and cultural identity. The utopianbeliefof meeting the Other, the representative of traditional cultures as the bearer of renewal characterizes the search of many artists and thinkers of the 20th century. The experiences of Brazilian modernism, tropicalism, andBrazilian performance bring their version of this perspective, thefigure of the American Indians in various ways. Brazilian art of the 20th century using the concept of symbolic anthropophagy wants to devour Europe. But as contemporary decolonial studies show, Brazilian modernism, transforming the Indian into a rhetorical and aesthetic figure, ends up in this way devouring its own indigenous people. The decolonial concepts and finally the contemporary Amerindian perspective bring their own answer, deconstructing and exposing hidden prejudices of Brazilian cultureÍtem Texto completo enlazado La diplomacia pública como herramienta de política exterior. Alcances teóricos y perspectiva peruana(Pontificia Universidad Católica del Perú. Fondo Editorial, 2020-08-13) Bonomini, SandraThis article is an analysis, tribute and dialogue with the performance Paso doble by Mirella Carbone. Carbone starts from the autobiography to create presences—becomings—of itself, with which criticizes identity impositions that the classist, colonial, macho, racist, and homophobic Lima demands. A «little man» in white suit and a doll drawn with a chalk by the artist activate the memory, open personal archives and bring important issues to the present. From the non-hegemonic figures that the artist presents, as well as silence and repression, I propose Paso doble as a place of the visible and possible. From the perspective of feminist and decolonial theories, latent issues in Paso doble are approached in order to understand the effects of coloniality—of power, knowledge and being—in the body, subjectivity and steps from the artist.Ítem Texto completo enlazado Paso doble de Mirella Carbone: un conjuro autobiográfico para el cuerpo, doblez del silencio, un homenaje(Pontificia Universidad Católica del Perú. Fondo Editorial, 2019-08-14) Aguirre Castañeda, HugoEste artículo es un análisis, homenaje y diálogo con la performance Paso doble de Mirella Carbone. Carbone parte de la autobiografía para crear presencias —devenires— de sí misma, con los que critica imposiciones de identidad que la Lima clasista, colonial, machista, racista y homofóbica exige. Un «hombrecito» de terno blanco y una muñeca dibujada con tiza por la artista activan la memoria, abren archivos personales y traen al presente importantes cuestiones. A partir de las figuras no hegemónicas que la artista presenta, así como del silencio y la represión, propongo Paso doble como lugar de lo visible y posible. Desde la perspectiva de teorías y pensamientos feministas y descoloniales, se abordan temas latentes en Paso doble para intentar entender los efectos de la colonialidad —del poder, saber y ser— y, dentro de estos, las nociones entrelazadas de género, sexualidad, raza y clase en el cuerpo, la subjetividad y los pasos de la artista.Ítem Texto completo enlazado Concentración de medios o concentración de temas en el periodismo digital peruano. Un acercamiento cuantitativo al problema(Pontificia Universidad Católica del Perú. Fondo Editorial, 2020-08-13) Pastor, Lorena; Tomotaki, SilviaThe article presents the experience of the Performing Arts Workshop in Ancón II Model Penitentiary, from the point of view of the artists who facilitate the experience. What senses unfold? What are the creative routes and processes? The artistic experience is embodied as a process that transcends the scene, proposing the production and circulation of discourses and performances from the voice of its protagonists: the young men and women inmates at the prison. The body constitutes the central axis of subjective, discursive and performative production. The authors reflect on the performing arts as the production of experiences and relationships in the context of deprivation of liberty, understanding the processes as explorations and bonds in constant construction, as well as a research space that questions them regarding the meaning of their work and their role as artists.Ítem Texto completo enlazado Patrones de cobertura periodística: frames genéricos y frames de nivel en las elecciones presidenciales peruanas del 2016(Pontificia Universidad Católica del Perú. Fondo Editorial, 2020-08-13) Béjar, Marissa(A) Being in the City: Performing Arts Walk is a practice-based research project of artistic, performing and interdisciplinary intervention in the streets of Downtown Historic Lima staged in 2018 and 2019. This article shares its conceptual and methodological starting points, centered in the academic discussion about the configuration of the cities and the urban space, in which we take side in the everyday practices and the interactions that they hold, as the axes that configure the city, as well as the performative turn, which values subjectivity in research processes. It also presents this project’s reflexive origin about the being as entity and action, and its research axes that explore dimensions linked to the artistic, performative and knowledge of the city aspects. Finally, it shares the artistic decisions and the creative results to which we arrived.Ítem Texto completo enlazado #Cultura digital: reflexiones en torno a los consumos políticos contemporáneos(Pontificia Universidad Católica del Perú. Fondo Editorial, 2020-12-12) Taricco, Lucrecia; Paz García, A. PamelaIn everyday life context, inscribed in the cultural battlefield of the material and symbolic (hyper)mediations of the Internet, we are interested in critically reflecting on the approach to cultural practices of digital consumption. Inside the political communication field, we observe that today multiple phenomena are embedded in the daily configuration of these practices, which lead us to rethink the role of traditional audience measurements and statistics, to the use of big data and algorithms, different political-cultural outlooks of audiences, challenged by a global crisis in the subject of cybersecurity. Among other conditions of going digital, we will thus understand such contemporary consumption as an issue concerning political power, taking into account its ideological dimension.Ítem Texto completo enlazado Reformas laborales cubanas en la prensa mexicana. Análisis crítico del discurso de La Jornada y Reforma(Pontificia Universidad Católica del Perú. Fondo Editorial, 2020-08-13) Parrilla, BelénThe events in Argentina during the winter of 2018 (massive feminist groups marched to demand the approval of the Voluntary Termination of Pregnancy bill) invited us, from our places as artists, to emerge from our workspaces. The stage was set in the streets and the concept of art-life was about to manifest itself. Motivated to generate a device that expresses the politics of those who had abandoned their place of contemplation, questioned as individuals and mobilized as a collective, we decided to do an intervention with a performative aesthetic. This essay presents that feedback process between social and artistic performance, a reflection of the expressive and ungovernable limits of the green wave, and answers the call for a deep need to meet each other, taking over the public space, in a symbolic ex-pression of those of us who became protagonists in the construction of our rights. Every woman, all of us.