La dignidad de la imaginación. Alexander Baumgarten y el contexto denacimiento de la Estética
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Pontificia Universidad Católica del Perú. Fondo Editorial
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Abstract
El artículo trata del rol de la imaginación en la constitución disciplinaria de la Estética. Presenta tres partes: la primera se concentra en mostrar de qué manera la imaginación adquiere dignidad en determinado momento de la historia del pensamiento occidental; la segunda parte muestra cómo este nuevo estatus permitirá, dentro de un contexto histórico especial, la Ilustración, el nacimiento de la reflexión estética de la mano de Alexander Baumgarten. La tercera parte se concentra en mostrar cómo la perspectiva estética implica una decidida opción por darle a la sensibilidad reflexiva un significativo lugar dentro de la comprensión que tiene el hombre de sí mismo y del mundo en el que está inmerso.
The Dignity of Imagination. Alexander Baumgarten and the Context of the Birth of Aesthetics”. The paper deals with the role of imagination in the disciplinary constitution of Aesthetics. For this purpose it is divided into three sections: the first one focuses on showing how imagination acquires a certain dignity at a specific moment in the history of western thought; the second section shows how this new status will allow, within the special historical context of Enlightenment, the birth of aesthetic reflection lead by Alexander Baumgarten. The third section of this paper focuses on showing how the aesthetic perspective implies decidedly choosing to give reflexive sensitivity a significant spot within the comprehension that man has of himself and of the world in which he is immersed.
The Dignity of Imagination. Alexander Baumgarten and the Context of the Birth of Aesthetics”. The paper deals with the role of imagination in the disciplinary constitution of Aesthetics. For this purpose it is divided into three sections: the first one focuses on showing how imagination acquires a certain dignity at a specific moment in the history of western thought; the second section shows how this new status will allow, within the special historical context of Enlightenment, the birth of aesthetic reflection lead by Alexander Baumgarten. The third section of this paper focuses on showing how the aesthetic perspective implies decidedly choosing to give reflexive sensitivity a significant spot within the comprehension that man has of himself and of the world in which he is immersed.
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