Areté

URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/182087

ISSN: 1016-913X
e-ISSN: 2223-3741

Areté es la revista de filosofía editada por el Departamento de Humanidades de la Pontificia Universidad Católica del Perú (PUCP), que cuenta con dos números anuales. En ella se publican trabajos de investigación, originales e inéditos, escritos en español y eventualmente en inglés, de autores que participan de modo significativo en la discusión filosófica contemporánea en todos los campos de la reflexión filosófica. Comprende, también, una sección permanente de reseñas y, de manera ocasional, publica documentos sobre importantes debates filosóficos, realizados en nuestro país o en el extranjero, así como entrevistas a filósofos de renombre internacional.

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2022 - 20243

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Fecha de inicio: 2022Temasearch.filters.applied.operator.equals: search.filters.subject.Ontology

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Mostrando 1 - 3 de 3
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    Paul Ricoeur y la noción de conatus de Spinoza
    (Pontificia Universidad Católica del Perú, 2024-07-17) Olaechea Catter, Jorge
    Even though Paul Ricoeur did not write an entire work about Spinoza, many interpreters have pointed out the relevance of the thought of the Dutch philosopher—and specially of his Ethics—to Ricoeur’s oeuvre. This paper seeks to show the significance of Spinoza’s notion of conatus in the hermeneutical and ontological approach of the French philosopher. Specifically, it analyses an important conceptual node in the last Study of Oneself as Another. The analysis mainly considers those passages of Spinoza’s works that are quoted. It tries to expand the understanding of them considering the context in which they appear, in order to see if this allows to confirm the abovementioned relevance of Spinoza in Ricoeur’s philosophy.
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    Sobre cuatro ontologías inmanentes en Gilles Deleuze, en el cruce de La imagen-movimiento y Diferencia y repetición
    (Pontificia Universidad Católica del Perú, 2023-12-11) Ferreyra, Julián
    By serially arranging Difference and Repetition (1968) and The Movement Image (1983) this paper sketches four trails in Gilles Deleuze’s divergent ontology, showing how each of the montage schools of classical cinema implies a determinate inversion in relation to four facets of the philosophical tradition represented by Hume, Spinoza, Hegel and Descartes. The taxonomy of the cinema studies opens clear paths in Deleuze’s obscure ontology. The book of 1968 reveals the philosophical load implicit in the cinematographic developments; at the same time, it shows the divergencies and incompatibilities that growl under the apparent neatness of the classification of cinematographic images.
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    Apertura y bidimensionalidad. El sentido ontológico de la verdad en Ser y tiempo
    (Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2022-07-14) Domergue, Tomás
    As it is well known, throughout Being and Time Heidegger distinguishes between an ontic (Entdecken) and an ontological (Erschlossenheit) sense of truth. Whereas the first one involves truth, insofar as a way in which the Dasein can be concerning beings, the second one corresponds to the manner in which the Dasein opens and comprehends their being. In this paper, we will focus on developing the phenomenological aspect of the second sense of truth and its relation with the first one. We will recreate, first and foremost, Heidegger’s characterization of the ontological sense. Then, we will make use of the asymmetry between both kinds of senses to inquire about the problem of normativity presupposed in his work.