Areté
URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/182087
ISSN: 1016-913X
e-ISSN: 2223-3741
Areté es la revista de filosofía editada por el Departamento de Humanidades de la Pontificia Universidad Católica del Perú (PUCP), que cuenta con dos números anuales. En ella se publican trabajos de investigación, originales e inéditos, escritos en español y eventualmente en inglés, de autores que participan de modo significativo en la discusión filosófica contemporánea en todos los campos de la reflexión filosófica. Comprende, también, una sección permanente de reseñas y, de manera ocasional, publica documentos sobre importantes debates filosóficos, realizados en nuestro país o en el extranjero, así como entrevistas a filósofos de renombre internacional.
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Ítem Texto completo enlazado La posibilidad de un pensamiento práctico en Marion a partir de la estima cartesiana(Pontificia Universidad Católica del Perú, 2024-07-18) Murga, Ezequiel D.According to Jean-Luc Marion, the subject is responsible for the phenomenalization of the given. This process—characterized as “hermeneutic” by the author—implies a discrimination concerning which is the most adequate way to show the phenomenon. For this to be possible, however, a modality of thought which does not deal with objects but with events is needed. This paper argues that this modality—suitable for deciding the way of phenomenalization of the given—can be found in practical thought. Firstly, I trace back this possibility to the Cartesian esteem. Secondly, I discuss it with reference to the Aristotelian prudence. Finally, I relate both approaches to comprehension (Verstehen), a concept that Marion picks up from Heidegger and Gadamer.Ítem Texto completo enlazado Nota sobre la relación de Marion con Levinas(Pontificia Universidad Católica del Perú, 2024-07-18) Sebbah, François-DavidThis article aims to assess the relevance of Jean Luc Marion’s reading of Levinas’ “ethical relation”. The Levinasian gesture, which could be deployed in several senses, is located at the very heart of the “French moment of Phenomenology”.Ítem Texto completo enlazado El problemático lugar de la animalidad en la filosofía de Ortega(Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2023-07-19) Alonso, MarcosThis paper discusses a problem of great actuality in contemporary philosophy: the understanding of animal being and its relationship with human being. It analyses, specifically, the way in which this problem is addressed by the Spanish philosopher Ortega y Gasset, one of the first authors who deals with this issue as a specific and recurring theme in the context of his own thought. I show how Ortega arrives to this problem, which intellectual influences are behind his approach to the cluster of difficulties around the animal, and what place does this issue have in the context of Ortega’s general philosophical proposal. As a conclusion, I suggest that Ortega’s thought —as it is the case with many of the most relevant authors of the 20th Century— is marked by his considerations on animals; and that his ideas could still be fruitful when studying important problems concerning thestatus and the significance of the animal condition.Ítem Texto completo enlazado Análisis fenomenológico del juego infantil como modalidad de la fantasía perceptiva(Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2023-07-19) Luna Bravo, José LuisThe experience of playing is not unknown to anyone of us. As children we have all entered the world opened by phantasy and toys. This paper makes explicit —from a phenomenological perspective— how this particular mixture of perception and phantasy takes place. To avoid confusing this experience with a hallucination or a mere simulation, I claim that playing can be analysed as a particular modality of perceptual phantasy in the “as if” mode. This modality,based on the neutralisation of a perceptual apprehension, enables the opening of the world of phantasy that is deployed in playing. Accordingly, this paper isdivided in 3 parts: First, I present a general description of phantasy consciousness; then, I propose an analysis of perceptual phantasy in the experience of theatre; third, I describe the specificity of this modality of phantasy consciousness —called perceptual phantasy— in the intentional structure proper of children’s playing.Ítem Texto completo enlazado Insistencia y Da-sein. El pensar del Ereignis y la filosofía trascendental(Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2022-12-21) Gómez Algarra, CésarThis paper attempts to trace and identify Heidegger’s attacks against transcendental philosophy, as they appear in his posthumous texts of the 1930sand 1940s, that is, the so-called treatises on Ereignis, and in the last volumes of the Gesamtausgabe. I will focus especially on volume 82, published in 2018, which includes a series of Heidegger’s annotations and re-readings concerning his own published work —this volume has not drawn a lot of attention in recent research. This way of proceeding will allow to show the author’s own critiques of his treatise Being and Time, and why he questions it a posteriori as a work of transcendental philosophy. After presenting the critique against all transcendental philosophy and transcendental subjects, it will be possible to describe the other possibility found in these posthumous works: the idea of steadfastness or “standing within” (Inständigkeit) in Being. Finally I will point out some difficulties and limitations implicit within the will to overcome our modern philosophical tradition, as it is shown by the project of a history of Be-ing (Geschichte des Seyns) as another beginning (andere Anfang) of thinking.Ítem Texto completo enlazado Fiat cura, et pereat mundus: la fenomenología del cuidado y del compromiso en Husserl(Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2022-12-22) de Warren, NicolasThe present paper explores “the importance of what we care about” from a phenomenological angle in the spirit of Frankfurt’s seminal essay. I shallreflect upon a few of its central concepts and issues within a Husserlian frame of analysis. My overarching claim is that Frankfurt’s threefold distinction – knowing,ethical conduct, caring – is equally central to Husserl’s phenomenology of reason and, more directly, underlies Husserl’s phenomenological ethics of values andvocation in his Freiburg manuscripts of the 1920s and 1930s.Ítem Texto completo enlazado La actitud personalista: Edmund Husserl, Max Scheler y Edith Stein(Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2022-07-14) Moran, DermotThis paper discusses the close similarities between Husserl’s, Scheler’s and Stein’s concept of the person as an absolute value that exercises itself in position-takings. Ethics, for the classical phenomenologists, Husserl, Scheler, and Stein, concerns the whole person, including the affective and rational dimensions, intellect and the heart, as well as volition. Persons are distinctive for their free agency, capacity to recognize norms, and ability to interact responsibly with other personal agents in the context of the communal and historical life-world.Ítem Texto completo enlazado Apertura y bidimensionalidad. El sentido ontológico de la verdad en Ser y tiempo(Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2022-07-14) Domergue, TomásAs it is well known, throughout Being and Time Heidegger distinguishes between an ontic (Entdecken) and an ontological (Erschlossenheit) sense of truth. Whereas the first one involves truth, insofar as a way in which the Dasein can be concerning beings, the second one corresponds to the manner in which the Dasein opens and comprehends their being. In this paper, we will focus on developing the phenomenological aspect of the second sense of truth and its relation with the first one. We will recreate, first and foremost, Heidegger’s characterization of the ontological sense. Then, we will make use of the asymmetry between both kinds of senses to inquire about the problem of normativity presupposed in his work.