Revista A&D
URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/185168
ISSN 2307-6151
A&D es la Revista del Departamento Académico de Arte y Diseño, que ha sido concebida como un espacio de discusión, divulgación de la investigación y difusión discursivo y visual. Revista de publicación anual, A&D fue impresa en su primer número en el 2012 y, en sus posteriores publicaciones, se elaboró en formato virtual (Link: http://revistas.pucp.edu.pe/index.php/ayd).
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Ítem Texto completo enlazado Hay una mosca robot en mi sopa(Pontificia Universidad Católica del Perú, 2023-12-29) Venegas Rodríguez, PedroNo presenta resumen.Ítem Texto completo enlazado Inteligencia artificial y redes neuronales(Pontificia Universidad Católica del Perú, 2023-12-29) Ormeño, Sandro AlexDescribes concepts related to artificial intelligence that allow establishing solid criteria on issues related to art and design development. Artificial intelligence has become more than just a simple tool and is evolving at great speed, which makes it difficult for users to adopt it. However, this does not prevent it from establishing itself in our society, although the rules to avoid its abuse have not been defined. Understanding this technology will allow, from the perspective of the artist or designer, to take appropriate measures either as a user, educator or, in the best case, to influence legislation.Ítem Texto completo enlazado El retablo digital: Herencia cultural, biología y nuevas tecnologías(Pontificia Universidad Católica del Perú, 2023-12-29) Pillaca Morote, Giovanna ElizabethNo presenta resumen.Ítem Texto completo enlazado Inteligencia artificial, creatividad y educación(Pontificia Universidad Católica del Perú, 2023-12-29) Roncoroni Osio, UmbertoNo presenta resumen.Ítem Texto completo enlazado Introducción(Pontificia Universidad Católica del Perú, 2023-12-29) Clarke, GeorgeNo presenta resumen.Ítem Texto completo enlazado Florisgrafía: Modos de hacer en la producción gráfica. Investigación de soportes alternativos y orgánicos en la práctica artística contemporánea(Pontificia Universidad Católica del Perú, 2022-12-14) Pozo, LucianoReflection and research on the artistic praxis of a personal process that comes from a poetic practice and research. lt is an epistemological aspect materialized through words and writing. lt deals with the deepening of the research on the personal graphic creation. l present what l call florisgrafia as a personal graphic procedure. This way of making became a graphic procedure and later on a practice that made possible the creation of graphic pieces according to poetic and methodological approaches.Ítem Texto completo enlazado Los grabados de José Sabogal en libros y revistas: aportes al diseño gráfico peruano a inicios del siglo XX(Pontificia Universidad Católica del Perú, 2022-12-14) Valenzuela Suárez, Claudia CatherineSabogal, along with other intellectuals, reflected on their concerns about the complementarity of the text with the image and the artifact that contained them. It was an incipient discipline, without a name. However, it was a cultural phenomenon that combined knowledge, aesthetics and literature, and transformed magazines and illustrated books into objects of symbolic and sociocultural value. These artefacts of the past are now invaluable and are considered pieces of historical value that allow us to build a genealogy of the design discipline prior to its institutionalization around 1960. The artistic and graphic context of the 1920s and 1930s was a laboratory for experimentation in graphic illustration and xylography, which consolidated the concept of the graphic image.Ítem Texto completo enlazado Moda, reificación y utopía: zapatillas de lujo y la estética worn out(Pontificia Universidad Católica del Perú, 2023-02-17) Patiño Núñez, AlbertoThis article analyses some examples of what is usually known as "designer" sneakers ins cribed in the so called worn out aesthetic trend. lt describes practices and discourses of the fashion industry, and the luxury and sumptuousness with which it is usually associa ted. lt identifies the cultural framework and the fashion market as references of identities and ideals of the present time. Based on the critical and cultural theory of authors such as Fredric Jameson and Slavoj ZiZek, it reviews some ideas centered on conceptions of the past, the construction of identity and the creation of social ties. From this perspective, it is questioned whether the meaning of the aesthetic is depoliticized or if it is rather what is called an ideological production.Ítem Texto completo enlazado Dibujando el rostro de Lima: el mapa de Perrottet y los imaginarios de modernidad del siglo XX(Pontificia Universidad Católica del Perú, 2022-12-14) Vásquez Larraín, Erika LucíaThis article is part of the research framework of my master's thesis entitled Los mapas de Lima: construcción de representaciones de la ciudad a través de sus planos (1977-2021), which reflects on the construction of representations of Lima through its maps, around the idea of "modernity" and was a reference for the urban changes that occurred throughout the twentieth century. These changes derived from historical processes, such as the rural migrations of the seventies and eighties, fragmented the physical and social organization of the city and placed some in privileged positions and others in marginal positions. lt that context, the first street guide of Lima for commercial use was created by the Swiss Oliver Perrottet in 1977 as a contribution to the process of "modernization" of the city, which was conveniently used by the State and Lima's elite to reproduce an ideological discourse around their ideals of "modernity. By means of this emblematic map of Lima, it will be revealed that although maps are seen as objective tools of cartography, they also act as devices of power and construct representations of the city that contribute to the formation of urban imaginaries that normalize marginalization, injustice, relationships of inequality and a sense of not belonging to one's own city.Ítem Texto completo enlazado Obscuridad o lo humano como un subproducto de la imagen(Pontificia Universidad Católica del Perú, 2022-12-14) Orihuela Ibañez, DiegoNo presenta resumen