Mediometraje “las_chicas.mp4”
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Date
2021-08-26
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Publisher
Pontificia Universidad Católica del Perú
Abstract
El presente trabajo busca presentar las experiencias de cuatro mujeres jóvenes a partir de una
narrativa transmedia en la que se evidencia cómo los procesos vitales se entrelazan con los
procesos artísticos. Consideramos que nuestra propia enunciación en este proyecto es útil
para reivindicar nuestra autopercepción y subjetividades femeninas, e intentar a partir de este
ejercicio motivar a otras mujeres a pronunciarse fuera de los símbolos hegemónicos que nos
han representado durante mucho tiempo. A lo largo de este proyecto se tratarán los temas del
proceso creativo, las subjetividades femeninas y la intervención digital como un intento de
crear un lenguaje cinematográfico propio. La realización de nuestro proyecto se llevó a cabo
a partir de conversaciones grabadas en Zoom y Google Meet, que fueron revisadas
posteriormente y que sirvieron como estructura para la edición del proyecto. Como resultado
se obtuvo un cortometraje de aproximadamente 30 minutos conformado por conversaciones e
intervenciones digitales que expresaban nuestro sentir respecto a los temas que iban
apareciendo. Como conclusiones sostenemos que no habíamos experimentado antes un
espacio como tal en el que pudiéramos conversar y cuestionar experiencias que tuvieron
repercusión en nuestra identidad. También nos percatamos de la necesidad de representación
que desde pequeñas no habíamos encontrado, y por eso decidimos representarnos a nosotras
mismas. Por último, al final de la ejecución nos dimos cuenta de que los procesos vitales
siempre interfieren con los procesos creativos, y que muchas veces el proseguir con proyectos
de esta naturaleza implica resistir.
This paper seeks to present the experiences of four young women from a transmedia narrative in which it is evident how life processes are intertwined with artistic processes. We consider that our own enunciation in this project is useful to vindicate our self-perception and feminine subjectivities, and to try to motivate other women to speak out of the hegemonic symbols that have represented us for a long time. Throughout this project, the themes of the creative process, feminine subjectivities and digital intervention will be discussed as an attempt to create a cinematographic language of our own. The realization of our project was carried out from conversations recorded in Zoom and Google Meet, which were later reviewed and served as a structure for the editing of the project. As a result, we obtained a short film of approximately 30 minutes made up of conversations and digital interventions that expressed our feelings about the topics that were appearing. In conclusion we maintain that we had not experienced before a space as such in which we could talk and question experiences that had an impact on our identity. We also realized the need for representation that we had not found since we were children, and that is why we decided to represent ourselves. Finally, at the end of the execution we realized that life processes always interfere with creative processes, and that many times continuing with projects of this nature implies resisting.
This paper seeks to present the experiences of four young women from a transmedia narrative in which it is evident how life processes are intertwined with artistic processes. We consider that our own enunciation in this project is useful to vindicate our self-perception and feminine subjectivities, and to try to motivate other women to speak out of the hegemonic symbols that have represented us for a long time. Throughout this project, the themes of the creative process, feminine subjectivities and digital intervention will be discussed as an attempt to create a cinematographic language of our own. The realization of our project was carried out from conversations recorded in Zoom and Google Meet, which were later reviewed and served as a structure for the editing of the project. As a result, we obtained a short film of approximately 30 minutes made up of conversations and digital interventions that expressed our feelings about the topics that were appearing. In conclusion we maintain that we had not experienced before a space as such in which we could talk and question experiences that had an impact on our identity. We also realized the need for representation that we had not found since we were children, and that is why we decided to represent ourselves. Finally, at the end of the execution we realized that life processes always interfere with creative processes, and that many times continuing with projects of this nature implies resisting.
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Keywords
Narrativa transmedia, Comunicación--Aspectos sociales, Comunicación audiovisual, Materiales audiovisuales, Mujeres--Comunicación, Cortometraje--Producción y dirección
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