Carmelo
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Fecha
2022-08-29
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Pontificia Universidad Católica del Perú
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La presente investigación busca detallar los procesos que formaron parte de la realización del
cortometraje “Carmelo” inspirado en el cuento “El Caballero Carmelo” de Abraham
Valdelomar. Esta adaptación tiene como objetivo representar tres vínculos diferentes: la
indiferencia, el abuso de poder y el amor. Así, para la representación de estos vínculos se
buscó adaptar los personajes que conformaban el cuento original y ubicarlos dentro del
contexto de una familia en un entorno violento tanto por la dinámica familiar como por la
labor que llevaba a cabo el personaje principal: las peleas callejeras. Es en ese sentido se
describirán todas las etapas de realización, tales como la motivación y la razón de ser del
cortometraje junto al desarrollo narrativo de las escenas y perfil de personajes, así como el
aspecto técnico que engloba las distintas áreas como Producción, describiendo los procesos
de casting y locación; Dirección, mencionando cuál fue su participación desde la etapa de
pre-producción; Dirección de Fotografía, desde donde se muestra cómo fue la composición
estética del cortometraje; Dirección de Arte, donde se gestó junto al encargado de fotografía
cada uno de los matices estéticos que aportarían el desarrollo de arte a la narrativa del
cortometraje; Sonido, mencionando entre otras el plan de post de sonido con grabación de
foley realizado y Edición. Además, se desarrolla un plan que describe el proceso que
atravesará de manera tentativamente el cortometraje “Carmelo” dentro de la etapa de
distribución tanto desde el aspecto de la retribución económica como desde la sola
exhibición.
This research seeks to detail the processes of making “Carmelo”, a short film inspired by the book story “El Caballero Carmelo” by Abraham Valdelomar. “Carmelo” aims to represent three important points with different characteristics: indifference, abuse of power and love. In order to show these points, we look to adapt the main characters from the original story (the book story) and place them in a context of a family violent environment, because of the family dynamics and the main character’s environment and job: street fights. It is in this sense that all the stages of production will be described, such as the motivation and reason for being of the short film together with the narrative development of the scenes and character profiles, as well as the technical aspect that encompasses the different areas such as Production, describing the casting and location processes; Direction, mentioning what their participation was from the pre-production stage; Direction of Photography, from where the aesthetic composition of the short film is shown; Art Direction, where each one of the aesthetic nuances that would contribute the development of art to the narrative of the short film was conceived together with the person in charge of photography; Sound, mentioning among others the sound post production plan with foley recording made and Edition. In addition, a plan is developed that describes the process that the short film "Carmelo" will tentatively go through during the distribution stage, both from the aspect of economic compensation and from the sole exhibition.
This research seeks to detail the processes of making “Carmelo”, a short film inspired by the book story “El Caballero Carmelo” by Abraham Valdelomar. “Carmelo” aims to represent three important points with different characteristics: indifference, abuse of power and love. In order to show these points, we look to adapt the main characters from the original story (the book story) and place them in a context of a family violent environment, because of the family dynamics and the main character’s environment and job: street fights. It is in this sense that all the stages of production will be described, such as the motivation and reason for being of the short film together with the narrative development of the scenes and character profiles, as well as the technical aspect that encompasses the different areas such as Production, describing the casting and location processes; Direction, mentioning what their participation was from the pre-production stage; Direction of Photography, from where the aesthetic composition of the short film is shown; Art Direction, where each one of the aesthetic nuances that would contribute the development of art to the narrative of the short film was conceived together with the person in charge of photography; Sound, mentioning among others the sound post production plan with foley recording made and Edition. In addition, a plan is developed that describes the process that the short film "Carmelo" will tentatively go through during the distribution stage, both from the aspect of economic compensation and from the sole exhibition.
Descripción
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Cortometrajes--Producción y dirección, Comunicación--Planificación, Comunicación audiovisual
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Licencia Creative Commons
Excepto se indique lo contrario, la licencia de este artículo se describe como info:eu-repo/semantics/openAccess