Periodismo de moda en el Perú: relevancia de una revista digital de moda
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2023-06-09
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Pontificia Universidad Católica del Perú
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En el Perú el periodismo de moda no tiene registros claros, es una especialidad casi desconocida
y poco profundizada. Además del hecho de que el periodismo especializado como tal no es una
regla en Perú, sino más bien una excepción; el periodismo de moda, en particular, no tiene
cabida debido a la desvalorización de la moda en el país, a pesar de su auge. En consecuencia,
tiene sentido que no existen revistas de moda per se producidas nacionalmente y, por ello, el
objetivo general de esta investigación es evidenciar la relevancia de editar y producir una
revista digital de moda en el Perú –acorde al tiempo digital que se vive–. Se ha determinado un
enfoque cualitativo con alcance exploratorio y los resultados exponen, gracias a la aplicación
de fichas de observación, la revisión analítica de las páginas web de dos de las revistas de moda
más importantes mundialmente, y entrevistas a profundidad, que dichas revistas cumplen con
los lineamientos característicos de las TIC, utilizan recursos audiovisuales y procuran la calidad
periodística de los artículos. Se concluye, entonces, la relevancia de una revista digital de moda
en el Perú, que siga el ritmo de las TIC –dada la trascendencia y validez de la moda en el país,
aunado a la ausencia de un proyecto especializado que la aborde de manera integral– y haga
posible cumplir el rol social periodístico de brindar información de calidad y veraz, en medio
del ritmo peculiar de estas Tecnologías, a un público interesado en moda.
In Peru, fashion journalism does not have clear records, it is an almost unknown and little deepened specialty. In addition to the fact that specialized journalism as such is not a rule in Peru, but rather an exception; fashion journalism, in particular, has no place due to the devaluation of fashion in the country, despite its boom. Consequently, it makes sense that there are no fashion magazines per se produced nationally and, therefore, the overall objective of this research is to demonstrate the relevance of editing and producing a digital fashion magazine in Peru –according to the digital time we live in–. A qualitative approach with exploratory scope has been determined and the results show, thanks to the application of observation sheets, the analytical review of the websites of two of the most important fashion magazines worldwide, and in-depth interviews, that these magazines comply with the characteristic guidelines of ICT, use audiovisual resources and seek the journalistic quality of the articles. It is concluded, then, the relevance of a digital fashion magazine in Peru, which follows the pace of ICT -given the importance and validity of fashion in the country, coupled with the absence of a specialized project that addresses it comprehensively- and makes it possible to fulfill the social role of journalism to provide quality and accurate information, amid the peculiar rhythm of these technologies, to an audience interested in fashion.
In Peru, fashion journalism does not have clear records, it is an almost unknown and little deepened specialty. In addition to the fact that specialized journalism as such is not a rule in Peru, but rather an exception; fashion journalism, in particular, has no place due to the devaluation of fashion in the country, despite its boom. Consequently, it makes sense that there are no fashion magazines per se produced nationally and, therefore, the overall objective of this research is to demonstrate the relevance of editing and producing a digital fashion magazine in Peru –according to the digital time we live in–. A qualitative approach with exploratory scope has been determined and the results show, thanks to the application of observation sheets, the analytical review of the websites of two of the most important fashion magazines worldwide, and in-depth interviews, that these magazines comply with the characteristic guidelines of ICT, use audiovisual resources and seek the journalistic quality of the articles. It is concluded, then, the relevance of a digital fashion magazine in Peru, which follows the pace of ICT -given the importance and validity of fashion in the country, coupled with the absence of a specialized project that addresses it comprehensively- and makes it possible to fulfill the social role of journalism to provide quality and accurate information, amid the peculiar rhythm of these technologies, to an audience interested in fashion.
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Periodismo digital--Perú, Moda--Perú, Revistas electrónicas--Perú
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item.page.review
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