El cortometraje de ficción “Yerma” desde la perspectiva de las áreas de producción, arte y sonido
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2020-09-28
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Pontificia Universidad Católica del Perú
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Yerma es un cortometraje de ficción que muestra el dolor de miles de mujeres que
fueron esterilizadas sin su consentimiento y la angustia y rabia que siguen sintiendo sus
familias hasta el día de hoy. Asimismo, presenta las consecuencias de un abuso que fue, y
sigue siendo, ignorado por nuestra sociedad, los medios y el Estado. En este trabajo, se
describen los retos que surgieron en la producción, la dirección de arte y sonido de este
proyecto al tratar de exponer y manejar un tema complejo y arriesgado que no hemos
vivido. Además, explicamos cómo se abordó la representación de una parte importante del
Conflicto Armado Interno desde cada área luego de una profunda investigación; ya que,
los planes de producción, los colores y vestuarios de dirección de arte y los sonidos
presentes durante todo el cortometraje son resultado de ello. Debido a todo esto, con Yerma,
queremos demostrar que se puede y se debe fomentar el diálogo sobre las esterilizaciones
forzadas y que no podemos seguir siendo indiferentes frente a una parte de nuestra historia
que podemos ayudar a visibilizar de manera verosímil y respetuosa a través del cine.
Yerma is a fiction short film that shows the pain of thousands of women who were sterilized without their consent and the anguish and anger that their families still feel to this day. It also presents the consequences of an abuse that was, and still is, ignored by our society, the media and the State. In this paper, we describe the challenges that arose in the production, the art and sound direction of this project when trying to expose and manage a complex and risky issue that we have not experienced. In addition, we explain how the representation of an important part of the Internal Conflict in Peru was approached from each area after a thorough investigation; since, the production plans, the colors and costumes of art direction and the sounds present throughout the short film are the result of that. Because of all this, with Yerma, we want to demonstrate that the dialogue on forced sterilizations can and should be encouraged and that we cannot continue to be indifferent to a part of our history that we can help to make visible in a credible and respectful way through cinema.
Yerma is a fiction short film that shows the pain of thousands of women who were sterilized without their consent and the anguish and anger that their families still feel to this day. It also presents the consequences of an abuse that was, and still is, ignored by our society, the media and the State. In this paper, we describe the challenges that arose in the production, the art and sound direction of this project when trying to expose and manage a complex and risky issue that we have not experienced. In addition, we explain how the representation of an important part of the Internal Conflict in Peru was approached from each area after a thorough investigation; since, the production plans, the colors and costumes of art direction and the sounds present throughout the short film are the result of that. Because of all this, with Yerma, we want to demonstrate that the dialogue on forced sterilizations can and should be encouraged and that we cannot continue to be indifferent to a part of our history that we can help to make visible in a credible and respectful way through cinema.
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Cortometraje--Producción y dirección, Esterilización sexual--Perú, Planificación familiar--Perú--1990-2000
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