Metáforas orientacionales y espacialización del sujeto en Una casa en la sombra, de Carlos López Degregori
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2018-08-07
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Pontificia Universidad Católica del Perú. Fondo Editorial
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Sobre la base de los aportes de la lingüística cognitiva de George Lakoff y de Mark Johnson, y de los planteamientos de Michel Collot, María Lucía Puppo y Alicia Salomone, el autor analiza las metáforas orientacionales y la espacialización del sujeto en Una casa en la sombra, tercer poemario de Carlos López Degregori. Lakoff y Johnson distinguen las metáforas estructurales, ontológicas y orientacionales a partir de la idea de que el pensamiento humano es, en gran medida, metafórico. Collot señala cómo el poeta moderno proyecta su subjetividad en los espacios externos. Dicha noción es desarrollada por Puppo y Salomone con el fin de caracterizar el pacto del poeta con la modernidad.
Based on the contributions of the cognitive linguistics of George Lakoff and Mark Johnson, and the approaches of Michel Collot, María Lucía Puppo and Alicia Salomone, the author analyzes the orientational metaphors and the spatialization of the subject in Una casa en la sombra, third book of poems by Carlos López Degregori. Lakoff and Johnson distinguish structural metaphors, ontological and orientational metaphors from the idea that human thought is, to a large extent, metaphorical. Collot points out how the modern poet projects his subjectivity in external spaces. This notion is developed by Puppo and Salomone in order to characterize the pact of the poet with modernity.
Based on the contributions of the cognitive linguistics of George Lakoff and Mark Johnson, and the approaches of Michel Collot, María Lucía Puppo and Alicia Salomone, the author analyzes the orientational metaphors and the spatialization of the subject in Una casa en la sombra, third book of poems by Carlos López Degregori. Lakoff and Johnson distinguish structural metaphors, ontological and orientational metaphors from the idea that human thought is, to a large extent, metaphorical. Collot points out how the modern poet projects his subjectivity in external spaces. This notion is developed by Puppo and Salomone in order to characterize the pact of the poet with modernity.
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Metáforas orientacionales
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