Alfarería, textiles y la integración del Norte Grande de Chile a Tiwanaku
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2001
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Pontificia Universidad Católica del Perú. Fondo Editorial
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En este trabajo se explora la iconografía del poder en Tiwanaku y su rol en la integración de zonas de frontera del área centro-sur andina, como lo son el valle de Azapa y San Pedro de Atacama, en el norte de Chile. Se asume que en el proceso expansivo de Tiwanaku, las sanciones que apoyaron la jerarquía central y las estrategias empleadas para integrar las zonas periféricas y ultraperiféricas al centro fueron de naturaleza ideológica y política, lo que se manifestaría materialmente en la iconografía que reproduce las imágenes de la litoescultura del lago, y que se distribuyó en objetos portátiles que integraron o generaron su esfera de interacción. Esta idea motivó la revisión de colecciones arqueológicas de las zonas nucleares y marginales de la esfera de influencia tiwanaku, comprendidas entre el extremo sur del Perú, centro-sur de Bolivia y norte de Chile. Aquí, en particular, los autores se referirán a los textiles y a la alfarería del valle de Azapa y de San Pedro de Atacama para, a través de las relaciones iconográficas y artefactuales, intentar determinar el grado de integración centro-periferia, ya sea en términos hegemónicos o territoriales.
Ceramics, Textiles and the Tiwanaku Integration of Chile's "Norte Grande"In this paper we explore Tiwanaku's iconography of power and its role in integrating south-central Andean frontier areas such as the Azapa Valley and oasis of San Pedro de Atacama, in northern Chile. It is presumed that Tiwanaku's expansive processes, like the powers that maintained its central hierarchy and the strategies that integrated peripheral and ultra-peripheral areas with the center, were ideological and political. This ideological and political nature was expressed materially in the stone sculptures of Tiwanaku, and widely distributed in portable art objects that generated and integrated Tiwanaku's interaction sphere. This idea motivates a reexamination of collections from the nuclear and peripheral areas, including the extreme south of Peru, south-central Bolivia, and northern Chile. Focusing on Chile's Azapa Valley, and San Pedro de Atacama, the authors seek to determine from iconography and artifacts the degree of integration between center and periphery, in hegemonic and territorial terms.
Ceramics, Textiles and the Tiwanaku Integration of Chile's "Norte Grande"In this paper we explore Tiwanaku's iconography of power and its role in integrating south-central Andean frontier areas such as the Azapa Valley and oasis of San Pedro de Atacama, in northern Chile. It is presumed that Tiwanaku's expansive processes, like the powers that maintained its central hierarchy and the strategies that integrated peripheral and ultra-peripheral areas with the center, were ideological and political. This ideological and political nature was expressed materially in the stone sculptures of Tiwanaku, and widely distributed in portable art objects that generated and integrated Tiwanaku's interaction sphere. This idea motivates a reexamination of collections from the nuclear and peripheral areas, including the extreme south of Peru, south-central Bolivia, and northern Chile. Focusing on Chile's Azapa Valley, and San Pedro de Atacama, the authors seek to determine from iconography and artifacts the degree of integration between center and periphery, in hegemonic and territorial terms.
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Arqueología, Tiwanaku, Norte de Chile, Textiles, Cerámica, Iconografía, Interacción Cultural, Archaeology, Tiwanaku, Northern Chile, Textiles, Pottery, Iconography, Cultural Interaction
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