Acá solo hay un estilo moheño: La música sikuri en los procesos de generación de identidad en la localidad de Moho – Puno
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2023-08-09
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Pontificia Universidad Católica del Perú
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La presente investigación busca reconstruir y entender los procesos a través de los cuales
la música se consolida como un elemento en la creación y transformación de una identidad
local, específicamente en el pueblo de Moho, capital de la provincia del mismo nombre, donde
la práctica del sikuri se viene dando en los espacios rurales desde tiempos décadas atrás. La
música sikuri ha tenido un particular desarrollo en las décadas recientes tanto en la región
altiplánica como en distintas ciudades alrededor del Perú, siendo interpretada en distintos
contextos tanto a nivel musical como simbólico. En este sentido se busca entender los
procesos que se han venido dando en la segunda mitad del siglo XX, tanto en la localidad de
Moho, como fuera de ella en relación a la música en el contexto de importantes
trasformaciones sociales.
Los resultados aquí presentados fueron recogidos entre los años 2016 y 2017,
principalmente durante los meses de marzo y mayo del 2016, en la misma localidad de Moho,
así como otras ciudades y pueblos cercanos. Durante el trabajo se buscó recoger, a través
de entrevistas y observación estructurada, tanto los relatos relacionados a los procesos
históricos que ha venido teniendo la música y los contextos en los cuales es practicada, así
como los elementos musicales que configuran los estilos particulares de la región. Estos
últimos, son fundamentales en la forma como se delimitan espacios identitarios a través de la
práctica musical.
This research attempts to reconstruct and understand the processes through which music is consolidated as an agent in the generation and transformation of a local identity, specifically in the town of Moho, where the practice of sikuri music, traditionally practiced in rural areas since ancient times. Sikuri music has had a particular development in recent decades both in the Altiplano region and in different cities around Peru, being performed in different contexts and reinterpreted symbolically. In this research we seek to understand the processes carried out in Moho, in relation to music, in dialogue with the social transformations that have been taking place in the second half of the twentieth century both locality, and in other locations outside the town. The findings presented here were collected between 2016 and 2017, mainly during the months of March and May 2016, in the town of Moho itself, as well as other nearby towns and villages. During the work we collected, through interviews and structured observation, the stories related to the historical processes that music has been taking, the contexts in which it is practiced, as well as the musical elements that constitute the particular styles of the region, which are a fundamental element in the way in which identity boundaries are delimited through the practice of music.
This research attempts to reconstruct and understand the processes through which music is consolidated as an agent in the generation and transformation of a local identity, specifically in the town of Moho, where the practice of sikuri music, traditionally practiced in rural areas since ancient times. Sikuri music has had a particular development in recent decades both in the Altiplano region and in different cities around Peru, being performed in different contexts and reinterpreted symbolically. In this research we seek to understand the processes carried out in Moho, in relation to music, in dialogue with the social transformations that have been taking place in the second half of the twentieth century both locality, and in other locations outside the town. The findings presented here were collected between 2016 and 2017, mainly during the months of March and May 2016, in the town of Moho itself, as well as other nearby towns and villages. During the work we collected, through interviews and structured observation, the stories related to the historical processes that music has been taking, the contexts in which it is practiced, as well as the musical elements that constitute the particular styles of the region, which are a fundamental element in the way in which identity boundaries are delimited through the practice of music.
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Identidad colectiva--Perú--Moho (Puno : Provincia), Etnicidad--Perú--Moho (Puno : Provincia), Folklore--Perú--Moho (Puno : Provincia), Música--Perú--Moho (Puno : Provincia)
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