El origen de la cultura en Kant. El hiato entre la vida y la moral
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2018-06-04
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Pontificia Universidad Católica del Perú. Fondo Editorial
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El trabajo se propone indagar el sentido y función que la cultura desempeña como actividad existencial en la obra de Kant, con especial atención a la Crítica del Juicio y a los materiales suministrados por la Antropología en sentido pragmático, adoptando como principal propósito la indagación de sus fuentes antropológicas y sociales. Desde esta perspectiva, pretendo argumentar que elanálisis kantiano de la vida y el intrínseco nihilismo reconocido en ella explican en buena parte el origen de la cultura en Kant, entendida en un sentido muy básico como conjunto de prácticas que permiten a los seres humanos extraer cierto rendimiento teleológico del transcurso del tiempo. Por último, me ocuparé de singularizar el fenómeno del entretenimiento como clave antropológica para profundizar en la necesidad del advenimiento de la cultura en una sociedad humana. Ambos propósitos entroncan con lo que considero una genealogía kantiana de la cultura, de alcance para la interpretación del nexo de unión entre el uso teórico y práctico de la razón.
“The Origin of Culture in Kant. The Hiatus Between Life and Morality”. This paper attempts to investigate the meaning and function that culture plays as an existential activity in the work of Kant, driving special attention to the Critique of Judgment and to the materials furnished by the Anthropology from a pragmatic point of view, having as key goal the survey of its anthropological and social sources. From this perspective, I intend first to argue that the Kantian analysis of life and the intrinsic nihilism recognized in it largely explain the origin of the concept of culture in Kant, basically understood as a set of practices that allow human beings to extract some teleological performance from time passing. Secondly, I will discuss the phenomenon of entertainment as an anthropological key subject to deepen in the necessity of the advent of culture in human society. Both purposes belong to what I consider a Kantian genealogy of culture, adequate for the interpretation of the link between the theoretical and practical use of reason.
“The Origin of Culture in Kant. The Hiatus Between Life and Morality”. This paper attempts to investigate the meaning and function that culture plays as an existential activity in the work of Kant, driving special attention to the Critique of Judgment and to the materials furnished by the Anthropology from a pragmatic point of view, having as key goal the survey of its anthropological and social sources. From this perspective, I intend first to argue that the Kantian analysis of life and the intrinsic nihilism recognized in it largely explain the origin of the concept of culture in Kant, basically understood as a set of practices that allow human beings to extract some teleological performance from time passing. Secondly, I will discuss the phenomenon of entertainment as an anthropological key subject to deepen in the necessity of the advent of culture in human society. Both purposes belong to what I consider a Kantian genealogy of culture, adequate for the interpretation of the link between the theoretical and practical use of reason.
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Kant, Cultura, Vida, Sentimiento, Entretenimiento, Nihilismo
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