Estudios de Filosofía

URI permanente para esta comunidadhttps://hdl.handle.net/20.500.14657/175808

e-ISSN: 2409-1596

Estudios de Filosofía es una revista de periodicidad anual, editada por el Seminario de Filosofía del Instituto Riva-Agüero, escuela de altos estudios humanísticos de la Pontificia Universidad Católica del Perú, y elaborada con el esfuerzo conjunto de profesores y estudiantes de Filosofía de esta universidad. Se publica por primera vez en 1975; a partir de 2009, la revista se publica de forma exclusivamente electrónica.

Su objetivo es difundir textos originales e inéditos, principalmente -aunque no de modo exclusivo- de quienes se inician en la investigación. Se incluyen artículos, traducciones, estudios críticos, reseñas, entrevistas, notas bibliográficas y noticias de actividades filosóficas diversas.

Todos los artículos presentados a la revista son sometidos a un proceso de arbitraje doble ciego realizado por pares nacionales.

Explorar

Filtros

2015 - 201922020 - 20222

Ajustes

Temasearch.filters.applied.operator.equals: search.filters.subject.Política

Resultados de búsqueda

Mostrando 1 - 4 de 4
  • No hay miniatura disponible
    ÍtemTexto completo enlazado
    Resistencia y emancipación del “nuevo espectador” en el régimen estético del sentir impersonal
    (Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2022-12-05) Milla, Saraí
    This paper seeks to establish connections between the diagnoses of art in society by Benjamin, Rancière, and Perniola in order to understand the contemporary aesthetic crisis characterized as a regime of impersonal feeling. To this end, it is intended to clarify Benjamin’s concept of aura and to establish a connection with art and politics that will be amplified with Rancière. The article will address the causes of the lack of autonomy in contemporary aesthetics, pointed by Perniola, to discuss in what way the emancipation of the spectator is possible by playing with the emptiness, the unspeakable, or the shadow of art.
  • No hay miniatura disponible
    ÍtemTexto completo enlazado
    Vigilar y programar: sobre la dimensión política del software
    (Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2021-12-02) Jordán, Rubén
    This article explores the pharmacological character of technology in the light of the anonymous internet browsing free software case and its political potential. It is contended that software, which is at the foundation of the neoliberal surveillance and psychopolitical control system depicted by Byung-Chul Han, may be at the same time, when implemented in open-source programs that hide our digital fingerprint, a tool for resistance and emancipation. This is due to the fact that such implementation attacks the fundamental principles of the dataist domination logic: transparency and predictability.
  • No hay miniatura disponible
    ÍtemTexto completo enlazado
    La problemática de lo ético-político en Mille plateaux
    (Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2015-12-01) Díaz, Luis Omar
    The present contribution aims to clarify the ethics involved in the notionof territory, coined by Deleuze and Guattari in Mille plateaux, whose philosophical notes are taken from Spinoza’s and Nietzsche’s works. We will see that this project is sufficiently consistent and united, according to its immanent and materialistic lines. However, this ethics finds its limits, not in its internal constitution but in its tacit iden- tification with politics. Our authors conceive the existential field as crossed by political effects, therefore, all ethical acts would be, by their accounts, a political act too. And these acts will be the more perfect –more ethical and more political– the less they deal with traditional state policy. This involves reducing policy to the political, which we believe is a mistake; because, what applies to the singular-collective existence cannotcount nor compete as a substitute of the collective institutional policy.
  • No hay miniatura disponible
    ÍtemTexto completo enlazado
    La imagen-luciérnaga: una aproximación al trabajo de Georges Didi-Huberman sobre la resistencia política y la estética de las imágenes supervivientes
    (Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2018-12-10) Rodriguez, Mariana
    In his research on art history, Georges Didi-Huberman takes images from distinct insects –butterflies, phasmidas, moths, flies etc.– to analyze visual objects and to assign them a value with respect to their image and historic position. In Survivance des lucioles (2009), the author takes the firefly as a symbol to reflect upon the power of several artistic manifestations with respect to their quality as images. In that sense, what is proposed is the idea that these insects survive as images (images survivantes) that –representing art, and metonymically humans– are bearers of an aesthetic and political resistance by emitting their dim lights (lucciole). Hereafter, the present paper (1) analyzes the definition of fireflies as images survivantes, as well as delves into how the author incorporates those images to the study of other insect-images such as butterflies or moths in previous studies; (2) examines the aesthetic and political value that Didi-Huberman confers to these firefly-images as cultural and divergent remains, in times of resistance; and, finally, (3) assesses Didi-Huberman’s position regarding the supposition that “fireflies have disappeared”, understanding this assumption as the disappearance of experience in its purest sense.