Revista del Instituto Riva Agüero

Permanent URI for this communityhttp://54.81.141.168/handle/123456789/175757

ISSN: 2415-5896
e-ISSN: 2519-1470

La Revista del Instituto Riva-Agüero es una publicación semestral que difunde contribuciones en español e inglés de temas peruanistas y de las humanidades, incluidas las áreas de antropología, arqueología, arquitectura, arte y cultura popular, derecho, filosofía, historia, literatura y lingüística. Comprende tres secciones: artículos, notas y reseñas de libros.

Asimismo nuestra publicación pasa por un proceso de evaluación doble ciego realizada por pares externos.

Los criterios para seleccionar las contribuciones se basan en la originalidad, es decir, que no se hayan publicado anteriormente de manera parcial o total (en formato impreso ni electrónico), así como en la pertinencia temática y el rigor científico aplicado en la investigación.

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Author: search.filters.author.Villasante Cervello, Mariella

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    Veinte años después de la publicación del Informe Final de la Comisión de la Verdad y Reconciliación
    (Pontificia Universidad Católica del Perú, 2024-08-15) Villasante Cervello, Mariella
    There has been no concern on the part of the State to educate young people about what Peru experienced between 1980 and 2000, nor has the work of the CVR been sufficiently valued. Since Fujimori’s time, a parallel history was created, and all the crimes perpetrated by the State, especially those whose main leader was Fujimori, remained unnoticed, hidden, despite the fact of being State crimes. But at least in the judicial field progress was made and it was one of the causes for Fujimori’s extradition and conviction. Furthermore, the forced disappearances were hidden, as far as the military leaders were concerned, by the State itself, because when the Ministry of Defense was asked for the names of the soldiers who had acted under pseudonyms, the CVR did not receive any names. Likewise, there is the Reparations Council for victims, created in 2006; Financial reparations have been made to individual and collective victims due to social pressure during the time of President García. But in moral reparations, education, and health, not much progress has been made. Those who have followed the IF better are the populations where there have been victims, they are the ones who best remember and vindicate the work of the CVR. Finally, where the most progress has been made is in the field of the arts, through films, theater, and literature.
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    Hechos de violencia extrema y campos totalitarios senderistas entre los Ashaninka y Nomatsiguenga de la selva central del Perú
    (Pontificia Universidad Católica del Perú, 2024-08-15) Villasante Cervello, Mariella
    Studies on the internal war in Peru have ignored the acts of violence: recruitments, rapes, executions, massacres and totalitarian camps. From the anthropology of violence, this article exposes the central points of an ignored topic: the totalitarian Senderista camps in which thousands of Ashaninka and Nomatsiguenga natives were captives. The Shining Path leaders sought the transformation of thousands of natives who had to destroy their social identities to create a “new communist society.” The priority sources are the testimonies collected by the author between 2008 and 2017, and the testimonies collected by the CVR between 2002 and 2003. The analysis takes into account, in particular, the works of Françoise Héritier, Hannah Arendt, and Tzvetan Todorov.
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    Introducción: Violencia política en el Perú 1980-2000, nuevas perspectivas de investigación
    (Pontificia Universidad Católica del Perú, 2024-08-15) Villasante Cervello, Mariella
    No presenta resumen
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    Publicación de la ‘Colección Villasante de cantos y música tradicional ashaninka (1981-1985)’ y proyecto de investigación
    (Pontificia Universidad Católica del Perú, 2023-12-28) Villasante Cervello, Mariella
    As in all hunter-gatherer societies, beliefs associated with the spiritual world and the musical arts are very important among the Ashaninka, the Nomatsiguenga and all Amazonian native peoples. These themes have been little studied in social anthropology. Moreover, the relative neglect of the native languages has led to a decrease in the transmission of the beliefs and music that represent the core of the Ashaninka cultural heritage. In this context, my current research aims to shed light on the evolution of the relationship between musical production, beliefs and ethnic identity and, at the same time, to revalue the musical and mythological heritage of the Ashaninka and their ethnic identities. The starting point of this study of social and musical anthropology are the songs that I collected between 1981 and 1985, the Villasante Collection of traditional Ashaninka music archived at the Centre de Recherches d’Ethnomusicologie (CREM, France) which I present in this Note.