(Pontificia Universidad Católica del Perú. Fondo Editorial, 2005) Valdez Morgan, Jorge Luis
This article analyzes, from the perspective of social history, three films which may be considered paradigmatic of Peruvian film-making: Yo perdí mi corazón en Lima (I lost my heart in Lima, 1933), Kukuli (1961), and Muerte al amanecer (Death at Dawn, 1977). The analysis is based on the theoretical postulatesof Marc Ferro and the Cinematic Contextual History. Currently, movies constitute an important source for studying contemporary history, although they have been used very little by researchers who are interested in the history of Peru. This article aims to fill in that vacuum.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2005) Contreras, Carlos
This article aims to show that the personal tax has a much more complex history then that which prevails in current historiography, where it is often presented as an Indian tax inherited from colonial days, and abolished in 1854. In fact, the tax was abolished in stages and did not really end until the revolution of Piérola in 1895 in the midst of a polemic over the pernicious consequences which the abolition would have for both the economy and for politics.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2005) Duviols, Pierre
Based on a reading of the Royal Commentaries of the Incas and the General History of Peru by Garcilaso de la Vega, this article aims to study the reasons which this famous mestizo writer used to justify the use of the title «Inca». The arguments and strategies behind this decision will be analyzed in depth.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2005) Guibovich Pérez, Pedro M.
The Society of Friends of the Country and its organ, Mercurio Peruano, were two of the most important manifestations of the illustrated culture of the Peruvian viceroyalty toward the end of the 18th century. There is an abundant bibliography on both topics which contends that both failed because of official censure which in turn was provoked by their critical discourse. This article questions that interpretation based on a study on the relationship between the Society and the Bourbon’s reformist policies and new documentation.