Anthropologica. Vol. 33 Núm. 34 (2015)

URI permanente para esta colecciónhttps://hdl.handle.net/20.500.14657/178863

Tabla de Contenido
Memoria y Violencia
  • Dossier: Memoria y violencia política. Una presentación Ulfe, María Eugenia; Pereyra Chávez, Nelson E; 5-10
  • Desfigurando la memoria: (des)atando los nudos de la memoria peruana Milton, Cynthia E; 11-33
  • Historia y memoria campesina: silencios y representaciones sobre la lucha por la tierra y la represión en Ongoy Chati, Guido; 35-62
  • Desaparecidos en la penumbra del atardecer: disputas privadas, memoria y conflicto armado interno en San Miguel (Ayacucho) Cóndor Alarcón, Nory; Pereyra Chávez, Nelson E; 63-88
  • Testimonio y secretos de un pasado traumático: los ‘tiempos del peligro’ en el arte visual de Sarhua González, Olga; 89-118
  • Coreografía de una matanza: memoria y performance de la masacre de Accomarca en el carnaval ayacuchano en Lima, Perú Aroni, Renzo; 119-146
  • Memorias oficiales, memorias silenciadas en Ocros (Ayacucho, Perú). Reflexiones a partir de la conmemoración de una masacre senderista Robin Azevedo, Valérie; 147-164
  • «No matarás ni con hambre ni con balas». Las mujeres de los comedores populares autogestionarios en El Agustino durante la violencia política Minaya Rodríguez, Jacqueline; 165-188
  • La acción política frente al estigma de la violencia entre los jóvenes universitarios posconflicto: los casos de la Universidad Nacional Mayor de San Marcos y la Universidad Nacional de San Cristóbal de Huamanga Jave, Iris; Cépeda, Mario; Uchuypoma, Diego; 187-202

    • Entre historia y antropología
  • Imágenes de la violencia. Los retos de la justicia transicional y su costo emocional Velázquez, Tesania; Seminario, Evelyn; Jave, Iris; 203-225
  • Elementos para pensar la agencia indígena: actores, contextos y procesos de cambio entre los grupos guaraníes (s. XVII) Perusset, Macarena; 227-247
  • Un lugar para los shawi en la historia de Maynas González Saavedra, María Luisa; 249-266

    • Reseñas
  • Portocarrero, Gonzalo (ed.). Perspectivas sobre el nacionalismo en el Perú. Lima: Red para el Desarrollo de las Ciencias Sociales en el Perú, 2014. 319 pp. Branca, Domenico; 267-272
  • Ossio, Juan. El Tahuantinsuyo bíblico: Ezequiel Ataucusi Gamonal y el mesianismo de los Israelitas del Nuevo Pacto Universal. Lima: Biblioteca Nacional del Perú, 2014. 400 pp. Huerta-Mercado, Alexander; 272-276
  • Barclay, Frederica y Pedro García Hierro. La batalla por ‘los nanti’: intereses y discursos superpuestos a favor de la extinción de la reserva territorial kugapakori nahua nanti y otros. Lima: Perú Equidad & IWGIA, 2014. 59 pp. Surrallés, Alexandre; 276-278

    • Explorar

    Filtros

    20154

    Ajustes

    Temasearch.filters.applied.operator.equals: search.filters.subject.Memoria

    Resultados de Búsqueda

    Mostrando 1 - 4 de 4
    • No hay miniatura disponible
      ÍtemTexto completo enlazado
      Desfigurando la memoria: (des)atando los nudos de la memoria peruana
      (Pontificia Universidad Católica del Perú. Fondo Editorial, 2015-07-02) Milton, Cynthia E.
      This article examines opposing currents in Peru’s collective memory of their bloody internal war (1980-2000) through an analysis of acts of vandalism perpetrated against one of the country’s few sites of memory, El ojo que llora, in Lima. ‘Vandalism’ in this article is understood as a form of writing (though a violent one) of an alternative vision of the past. Originally intended as a space for remembering and paying homage to the victims of the armed conflict, the site has become a space for contesting memories. As a site of performance of memory and human rights claims, and especially as the target of continued defacement, El ojo que llora has become a stage on which the presence of the past —in its still-conflictual strains— is made visible for national and international publics. It thus refuses the very closure that government narratives would impose, and thereby keeps open public engagement with the past. The ongoing conflicts over the past made visible at this site point to the struggles to define an overarching memory, and in the processthe very meaning of ‘victim’ is constrained.
    • No hay miniatura disponible
      ÍtemTexto completo enlazado
      Historia y memoria campesina: silencios y representaciones sobre la lucha por la tierra y la represión en Ongoy
      (Pontificia Universidad Católica del Perú. Fondo Editorial, 2015-07-02) Chati, Guido
      This article argues that there are social spaces in Peru where alternative memories about the political violence that took place between 1980 and 2000 are produced. In Andahuaylas, Apurímac, recurrent narratives tell about servitude in the hacienda, peasant mobilization for the restitution of their land, land occupation and its violent repression. A victorious memory of the land occupation exists alongside of an oppressive memory of internal war. Yet these representations have been silenced by official studies on memory, which are now so fashionable.In Ongoy, Andahuaylas, in the guise of a conflict between communities and hacienda, there are peasant’s political practices in relation with respect to the state. Peasants developed association networks with state institutions, trade unions, students, migrants, political parties and others to seek the restitution of their land. They gathered documents which they use in support of their memory and seniority in the territory. These show that the struggle for land that culminated in 1963 with the occupation of land, the slaughter of peasants and repression, has colonial origins. These are stories and memories that reconstruct the land struggle as a heroic act and overlap with other more recent representations of political violence. To analyze the process, events in Ongoy between 1960 and 1969 are reconstructed in dialog with the peasants gathered documents and testimonies of the actors on how events are reinterpreted after political violence.
    • No hay miniatura disponible
      ÍtemTexto completo enlazado
      La acción política frente al estigma de la violencia entre los jóvenes universitarios posconflicto: los casos de la Universidad Nacional Mayor de San Marcos y la Universidad Nacional de San Cristóbal de Huamanga
      (Pontificia Universidad Católica del Perú. Fondo Editorial, 2015-07-02) Jave, Iris; Cépeda, Mario; Uchuypoma, Diego
      This paper explores the different way on which the internal armedconflict still affects the Peruvian universities; now, through a process of symbolic violence from many spheres like the family or the mass media. In this context, the students build new forms of political participation; the university as a space of political debate and action is seriously affected by the fear of its students to be marked by the stigma of the violence; moreover, all this is amplified by the destruction of the political system and the lack of interest on the regular ways of political participation among young students. Although, in our research we have found that university students participate in different spheres of the public life that, without being planned, cre- ates new ways of political participation: the case of the colectivos. We conclude that between the stigma —and the supposed presence of Movadef in the universities—, and the lack of institutional ways to channel their demands, the students are building a new form of political action that will be fully shaped in the future when they achieve to structure their movement and colectivos.
    • No hay miniatura disponible
      ÍtemTexto completo enlazado
      Testimonio y secretos de un pasado traumático: los ‘tiempos del peligro’ en el arte visual de Sarhua
      (Pontificia Universidad Católica del Perú. Fondo Editorial, 2015-07-02) González, Olga
      This article discusses the fate of dangerous memories of war associated with the “internal armed conflict” in Peru. It focuses on the Andean community of Sarhua in Ayacucho and their experiences with political violence as depicted in a collection of paintings, Piraq Causa (Who Is Still to Blame?). A close examination of this visual testimonio reveals that some dangerous memories have been denied representation. I suggest that these become silences and absences that give expression to a “traumatic gap”, which includes memories of fratricidal violence and the community’s initial endorsement of the Maoist Shining Path. I argue that Piraq Causa reflects the magnified secrecy around events that the community agreed to deliberately “remember to forget”. In so doing, I also propose that the perceived gaps in the pictorial narrative provoke the unmasking of what is “secretly familiar” in Sarhua. To that extent, Piraq Causa exposes as much as it affirms the secrecy around traumatic memories of war.