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De la imagen-transparente a la imagen-opaca. Hacia una taxonomía de la imagen fotográfica a partir de la filosofía de Gilles Deleuze
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) León, Alejandro
Deleuze’s work is certainly heterogeneous. Throughout his life he managedto deal with an amazing variety of subjects: history of philosophy, psychoanalysis, politics, literature, painting, cinema, among others. However, the author of A Thousand Plateaus did not address a particularly relevant area for the twentieth century configuration –photography. This absence is unsettling not only because of the cultural importance of photography, but also because his reflections concerning the concept of image are a recurrent theme throughout his work. This research will not seek to determine the reasons why Deleuze did not explore the field of photography, because we believe that a question like this is, to say the least, idle. On the contrary, we will try to prolong his reflections in order to unfold the intuitions found in his philosophy that may help us to address the issue of the photographic. In this sense, our objective will be to develop a taxonomy of the photographic image from the distinction of two main types: the transparent image and the opaque image.
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Noticias 2015
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Estudios de Filosofía, Revista
No presenta resumen
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Metafilosofía jurídica de los siglos XX y XXI: ¿un concepto analítico de derecho?
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) López, Nicolás
This paper aims to offer a metaphilosophical reconstruction of Law in the analytic tradition of the twentieth and twentieth-one century first fifteen years, in order to determine the identity of the “analytic concept of law”. To do that I will usethree argumentative axes. The first will clarify the distinction between the Continental and Anglo-Saxon focuses on twentieth century analytical legal philosophy. The second axis will emphasize the methods and purposes of the latter, from the publication of Hart’s The Concept of Law’s first edition to its second edition in 1994. The third will problematize the existence or non-existence of an analytical concept of Law.
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Rizo-Patrón, Rosemary, La agonía de la razón. Reflexiones desde la fenomenología práctica, Barcelona/Lima: Anthropos/Fondo Editorial de la Pontificia Universidad Católica del Perú, 2015.
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Ascárate, Luz
No presenta resumen
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La imagen en primer plano: La pasión de Juana de Arco y el poder del rostro
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Alayza Prager, Cristina
Two peculiarities of the film The Passion of Joan of Arc (Carl Theodor Dreyer,1928) are explored in this essay: its unusual close-ups and its strongly expressivecharacter. We start from the idea that both characteristics are closely related andwe seek to clarify this relationship making use of Gilles Deleuze’s affection-image and Georges Didi-Huberman’s dialectical image.
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A propósito del problema del espacio en Hegel
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Vera, Santiago
The paper aims to locate the concept of space within Hegel’s philosophy, interrogating the necessity of its subordination in relation to the concept of timewithin the framework of the Hegelian teleology of history. The first part considers the problem of the relation between (natural) space and (natural-spiritual) time, placing each concept in its corresponding systematic location. The second part illustrates how this problem operates within three scenarios: language, art and geography. In the context of a wider research regarding the historical devaluation that space suffered in relation to the categorical preeminence of time, this paper intends to identify one among many conceptual strategies whereby this preeminence acquires legitimation in Hegel´s philosophy.
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Colaboradores
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Estudios de Filosofía, Revista
No presenta resumen
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Gramáticas espectrales. Entre Wittgenstein, Deleuze y Derrida
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Krebs, Victor J.
“Wittgenstein’s Ghosts. Between Deleuze and Derrida”. Both Derrida and Deleuze agree that with the advent of the moving image and the art of film, we need to articulate a new ontology or –in Wittgenstein’s terms–, a new grammar. Derrida suggests this much when he reflects on what he calls the return of ghosts, which he attributes to the advent of film and the communications media; Deleuze does the same in his studies of film, and in particular in what he calls the time-image. They both carve a grammatical space where room is opened for us to talk about an experience that fuses, paradoxically, problematically, the real and the virtual. Wittgenstein is tracing this grammar in his discussions on inner experience and in his observations about the phenomenon of aspect-seeing. Articulating a new grammar requires also a new way of seeing and this new seeing is the purpose of his methods; “clairvoyant” methods we can call them, following Deleuze’s term for what the time image propitiates in the viewer, in that they allow us to see beyond things to their aspects, beyond substances to processes; in other words, they train us to think in moving time. Philosophy is thus always a work of mourning and a commerce with ghosts. What this means is that Wittgenstein is –as Derrida and Deleuze are too–, what we might call a philosopher of becoming.
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La fuga de Edipo. El pliegue Deleuze-Lacan
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Bustamante, Ani
This article aims to put face to face the positions of Deleuze and Lacan in relation to the theories regarding the idea of the Oedipus complex inherited from Freudian psychoanalysis. This confrontation will become manifest by reviewing the concepts of desire, repression and castration, from the point of view of the subject’s relationship with language. In order to achieve this purpose, we will go through thetopological proposals whereby both Deleuze and Lacan render account of that whichis housed outside the signifying logic, the paradigmatic axis of which is precisely the Oedipal Logic, thus forging a cutting-edge work in which the materiality of language, its sonority and texture will acquire relevance to rethink the status of the unconscious itself.
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Diferencias y convergencias entre el pragmatismo peirceano y otros pragmatismos
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01) Reyes, Paniel
The term “pragmatism” has been used and abused by doctrines that are even contradictory among them. For the founder of Pragmatism as a philosophicaltradition, Charles Peirce, this situation might seem a sad misunderstanding, and that is why he came up with the term “pragmaticism” in order to distinguish his own particular version of Pragmatism. However, Peirce himself did not leave a systematic treaty that explained what kind of specific conditions distinguish his pragmatism from other versions. In this essay I introduce some criteria that I deem fundamental to disambiguate the meaning of Pragmatism: (1) the use of the logical principle known as the ‘pragmatic maxim’, upon which the corner stone of the tradition should rest; (2) the need to adopt Scholastic Realism and reject Nominalism; and (3), the operationalist character (as opposed to the inferential character) of Peirce’s pragmatism. In addition, I offer some views avowing that in spite of the differences and distinctions that these criteria establish, there is a core of convergence between the different kinds of pragmatisms present in the philosophical tradition.

Estudios de Filosofía. Núm. 14 (2016)

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