(Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2022-07-14) Camino Macedo, Federico
With Heidegger, the detailed study of what it is and what questioning implies begins in the history of philosophy, since, with the exceptions of Plato and Aristotle and possibly Descartes, a question as such was neglected, despite the fact that it is in the field of philosophy that questioning achieves its maximum fulfillment. The reflections of this article study the links between Érōs and the question (erṓtēsis), an essential connection that, although it is not etymo-logical but phonetical, allows us to find the common amphibian structure that joins together these two dimensions and makes it possible to establish an essen-tial link between Érōs as the strength and the question as the place where that strength is expressed, what is nothing other than philosophy as love or aspiration to knowledge.In the question-answer unit is that knowledge as a unit of what is sought and what is found.The question, a kind of symbol that links together, supposes a distancing that eliminates the immediacy of what is given and establishes a distance in which what is questioned and its aspiration to the unity of knowledge are placed. The question is the piety of thought, as Heidegger says, and the philosophical ques-tions, the expression of our first and last perplexities.
(Pontificia Universidad Católica del Perú. Departamento de Humanidades, 2022-07-14) Martínez, Arturo
Although Bachelard’s entire philosophy of imagination is affected by a symbolic materialism which can play a mediating role in reverie’s path, it is also true that the purpose of art, especially in poetry, is the search for truth, the lightning flash of insight, the deep apprehension of being itself, an experience that can hardly be given if we interpose, between the being of the thing/object and human subject, concepts or categories that seek a higher comprehension of the operational phenomena at stake, but which ultimately drown the saying of what is being shown to us. The poetic image must be a vehicle capable of symbolizing reality by connecting it with the imaginary, while being at the same time that uncaused force which brings about the ontological novelty capable of building a new anthropocosmos.