El cortometraje experimental Viaje desde la perspectiva de la imagen y el sonido
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Date
2021-02-24
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Pontificia Universidad Católica del Perú
Abstract
Partiéndose del contexto actual de la pandemia, se ha considerado la exploración
de nuevas formas de realización en muchos ámbitos como el del audiovisual. Se
busca ahondar y reflexionar sobre la labor del comunicador audiovisuales frente a
las limitaciones planteadas por el contexto a partir de la experimentación. Los
objetivos a lograr son dos: 1) Incentivar a la reflexión en el espectador sobre la
imagen y el sonido a partir de una inmersión en la experiencia del encuentro con el
conjunto audiovisual, y 2) Dar a conocer el proceso de creación en las áreas de
dirección de fotografía, dirección de sonido, edición y producción a lo largo del
período de realización. Viaje consiste en la realización de un trayecto nebuloso y
complejo que ensimisma al espectador y apunta a llevarlo a vivir una experiencia
desde una perspectiva ajena a la razón estricta, la cual busca generar preguntas
respecto a concepciones ontológicas como el transcurso del tiempo, la
incertidumbre y la búsqueda de sentido a partir del impacto sensorial. Tomándose
en cuenta que el presente cortometraje se basa en un recorrido desde la
incertidumbre, se ha consultado el trabajo de Zygmunt Bauman quien lo denomina -
al igual que al individualismo - como ideales propios del mundo actual. Con el fin de
profundizar en esta exploración, se ha recurrido a teóricos como Constance Classen
quien basa su trabajo en la concepción de una Antropología de los Sentidos :
entendiendo los sentidos no solo como un medio de aproximación a los fenómenos
del mundo, sino también como un vehículo cargado de valores culturales.
Starting from the current context of the pandemic outbreak, the exploration of new forms of implementation has been considered in many areas such as audiovisuals. It seeks to deepen and reflect on the work of the audiovisual communicators in the face of the limitations posed by the context of experimentation. The objectives to be achieved are two: 1) Encourage reflection in the viewer on the image and sound from an immersion in the experience of the encounter with the audiovisual set, and 2) Make known the process of creation in the areas of photography direction, sound direction, editing and production throughout the period of production. Journey consists of the realization of a nebulous and complex journey that engulfs the viewer and aims to lead him to live an experience from a perspective which is external to what is normal, which seeks to generate questions regarding ontological conceptions such as the passage of time, uncertainty and the search for meaning from sensory impact. Taking into account that this short film is based on a journey from uncertainty, the work of Zygmunt Bauman has been consulted who calls it - as well as individualism - as common ideals of today's world. In order to deepen this exploration, theorists such as Constance Classen have been resorted to, who bases her work on the conception of an Anthropology of the Senses: understanding the senses not only as a means of approaching the phenomena of the world, but also as a vehicle loaded with cultural values.
Starting from the current context of the pandemic outbreak, the exploration of new forms of implementation has been considered in many areas such as audiovisuals. It seeks to deepen and reflect on the work of the audiovisual communicators in the face of the limitations posed by the context of experimentation. The objectives to be achieved are two: 1) Encourage reflection in the viewer on the image and sound from an immersion in the experience of the encounter with the audiovisual set, and 2) Make known the process of creation in the areas of photography direction, sound direction, editing and production throughout the period of production. Journey consists of the realization of a nebulous and complex journey that engulfs the viewer and aims to lead him to live an experience from a perspective which is external to what is normal, which seeks to generate questions regarding ontological conceptions such as the passage of time, uncertainty and the search for meaning from sensory impact. Taking into account that this short film is based on a journey from uncertainty, the work of Zygmunt Bauman has been consulted who calls it - as well as individualism - as common ideals of today's world. In order to deepen this exploration, theorists such as Constance Classen have been resorted to, who bases her work on the conception of an Anthropology of the Senses: understanding the senses not only as a means of approaching the phenomena of the world, but also as a vehicle loaded with cultural values.
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Keywords
Cortometraje--Producción y dirección--Perú, Sentidos, Comunicación audiovisual, Materiales audiovisuales
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