Proyecto audiovisual “Laguna”
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Date
2022-09-15
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Publisher
Pontificia Universidad Católica del Perú
Abstract
La presente investigación pretende indagar a fondo cómo la crianza dentro del
hogar peruano en zonas rurales puede llegar a afectar a los jóvenes cuando crecen;
esta premisa es un reflejo que nace a partir de las experiencias de los participantes
del cortometraje “Laguna”. De esta manera, la actuación fue lo primero que cayó
como prioridad, así que lo esencial era que las actrices compartan las mismas
experiencias que los realizadores de “Laguna” querían plasmar en la historia
propuesta. Para ello, se ha decidido personificar esta relación parental de madre e
hija en Helena y Cecilia, siendo Helena una joven proveniente de provincia que
ahora vive en la ciudad, y Cecilia, una madre provinciana que tuvo una crianza
conservadora, y que ahora lo demuestra con la crianza de su propia hija. Para este
cortometraje se han usado recursos estéticos audiovisuales como el manejo de la
luz natural, la actuación, la edición y otro tipo de procesos ajenos a una realización
que sucedieron en el proceso de realización, como, por ejemplo: dos accidentes de
tránsito o el exceso del plan de presupuesto. Por otro lado, como tiempo y espacio
contextual, se ha situado el filme en los años 2009 – 2010 en la ciudad de Huacho,
dentro del departamento de Lima, siendo nuestro punto de mayor importancia la
laguna Encantada, el cual hemos usado como analogía con la protagonista Helena,
quien es calmada y serena, pero cuando hay tiempos difíciles, como una tempestad,
o, en el caso de Helena, un conflicto verbal con su madre (Cecilia), puede salirse de
control.
The current investigation aims to inquire deeply how the parental upbringing in remote peruvian places could affect the youth when they turn adults. This assertion has come out from the experiences of the “Laguna” film team members. In this way, the performance was the priority, so the essential thing was that the actresses have shared the same experiences that the filmmakers proposed for the film story. For that reason, we decided to portrayed the mother-daughter relationship with Cecilia and Helena, being Helena a young lady from the peruvian countryside that nowadays lives in the city, and Cecilia, a single mother who has been raised in a sexist and conservative home, and shows it with the upbringing of her daughter. For this short film, the audiovisual aesthetics resources as the natural lights like, performance, edition and other processes oblivious to a filmmaking process as a couple of car accidents and a budget overpayment. On the other hand, as a contextual time and place, the story is situated in the years 2009 – 2010 in Huacho, located in the department of Lima, being Encantada lake our most important point in the place, which we used as an analogy with our main character Helena, who is calm and peaceful, but whenever are difficult times like a storm, or, in case of Helena, a big argument with her mother (Cecilia) can piss her off.
The current investigation aims to inquire deeply how the parental upbringing in remote peruvian places could affect the youth when they turn adults. This assertion has come out from the experiences of the “Laguna” film team members. In this way, the performance was the priority, so the essential thing was that the actresses have shared the same experiences that the filmmakers proposed for the film story. For that reason, we decided to portrayed the mother-daughter relationship with Cecilia and Helena, being Helena a young lady from the peruvian countryside that nowadays lives in the city, and Cecilia, a single mother who has been raised in a sexist and conservative home, and shows it with the upbringing of her daughter. For this short film, the audiovisual aesthetics resources as the natural lights like, performance, edition and other processes oblivious to a filmmaking process as a couple of car accidents and a budget overpayment. On the other hand, as a contextual time and place, the story is situated in the years 2009 – 2010 in Huacho, located in the department of Lima, being Encantada lake our most important point in the place, which we used as an analogy with our main character Helena, who is calm and peaceful, but whenever are difficult times like a storm, or, in case of Helena, a big argument with her mother (Cecilia) can piss her off.
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Keywords
Cortometrajes--Producción y dirección, Comunicación audiovisual--Aspectos sociales
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