Revista del Instituto Riva Agüero. Vol. 9 Núm. 1 (2024)

URI permanente para esta colecciónhttp://54.81.141.168/handle/123456789/200771

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  • Introducción: Violencia política en el Perú 1980-2000, nuevas perspectivas de investigación Villasante Cervello, Mariella; 7-29

    • Dosier: Violencia política en el Perú 1980-2000, nuevas perspectivas
  • Las milicias de Ayacucho como agentes de reconstrucción y transformación social en la guerra civil del Perú (1980-2000) Fumerton, Mario A; 33-91
  • Hechos de violencia extrema y campos totalitarios senderistas entre los Ashaninka y Nomatsiguenga de la selva central del Perú Villasante Cervello, Mariella; 93-170
  • Memorias de los Ashaninka del río Ene durante la guerra interna peruana Balaguer, Alejandro; 171-205
  • El giro humanitario en la búsqueda de los desaparecidos en América Latina: El caso del Perú Rivas Belloso, Jairo; 207-235
  • Violencia y memoria en la narrativa peruana sobre el conflicto armado interno De Vivanco, Lucero; 237-284
  • Panorama de algunas representaciones sobre el conflicto armado interno en el cine peruano Bedoya Wilson, Ricardo; 285-310
  • Momentos del Perú en guerra: Testimonio de una vida dedicada a retratar la realidad, pese a sus severas limitaciones Jiménez, Ernesto; 311-332
  • Los usos de la memoria en contextos de violencia política: Los casos de Cambodia y del Perú Todorov, Tzvetan; 333-361
  • Veinte años después de la publicación del Informe Final de la Comisión de la Verdad y Reconciliación Villasante Cervello, Mariella; 363-378

    • Artículos
  • Hacia una tierra de memorias, cuentos y tragedias: La imagen del Perú en la prensa anglófona en China (1874-1939) Lizarme Villcas, Nashely; Palma, Patricia; Carrasco Weston, José Manuel; 379-427
  • La prosa poética: Un formato que se revitaliza Huárag Álvarez, Eduardo; 429-452
  • El turismo en el Perú: Historia, cadena y problemáticas Armas Asín, Fernando; 453-488

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      Momentos del Perú en guerra: Testimonio de una vida dedicada a retratar la realidad, pese a sus severas limitaciones
      (Pontificia Universidad Católica del Perú, 2024-08-15) Jiménez, Ernesto
      Talking about internal war in Peru is doubly difficult. Because of the issue of political violence that we had to live with and our role as journalists in tow, away from the passions and standard bearers of the famous objectivity whose meaning hammered us every time we took the camera to record what happened. Then came the self-censorship that took us away from the flags that the participants brought as pretexts for the violence unleashed or to unleash. We were interested in the roots of this violence, its origins and the “why” in each case. Thus, we began to see what others did not see: the significance of our documents for history, for its reconstruction. Reviewing my experience of those years (half a century of journalistic work) I have managed to synthesize some objective, transcendental and valid criteria to contribute to history. My search spanned 14 years of conflict. From 1978 (the beginnings of land grabs) until 1992, when they captured the insurgent leaders of the Shining Path. Of course, there are thousands of unpublished images left in the archives. But the demands of the present testimony force us to choose the best (or the worst) of those moments.
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      Memorias de los Ashaninka del río Ene durante la guerra interna peruana
      (Pontificia Universidad Católica del Perú, 2024-08-15) Balaguer, Alejandro
      In 1990 I was a young photojournalist and foreign press correspondent in Peru. After having traveled through several war zones in Ayacucho, I ventured into the remote Ene River valley, where a great drama was unfolding. As the army advanced and the Shining Path retreated into the bush, hundreds of Ashaninka were being recovered and were arriving as refugees in the Ashaninka community of Cutivireni after having been kidnapped and taken captive by the armed columns of Shining Pathists. There are thousands of photographs and memories of those terrible days in the community that I want to share.Memories of human beings barricaded to survive; without food, refugees, destitute against disease, with cholera raging, taking rifle fire, avoiding murderous mines, sharing fears and smiles, and death ever-present. Recurring images that keep coming back to me and remain vivid despite the years, in memory and on photographic paper, and which I now try to awaken from oblivion.