Núm. 2 (2023)

Permanent URI for this collectionhttp://54.81.141.168/handle/123456789/202711

Tabla de Contenido
Presentación del Dossier
  • Sobre la potencia de compartir escenas de igualdad y mundos en común en las artes escénicas Marin, Fwala-lo; Sena, Leticia Paz; 10-14

    • DOSSIER: Prácticas escénicas, escenas de igualdad y mundos en común
  • Exploraciones en torno al proceso compositivo de la actuación escénica Vaccalluzzo, Victoria; 17-32
  • Posibilidades del archivo escénico Bifaretti, María Eugenia; 33-50
  • “Diálogo entre zorros” Santistevan De Noriega, Alfonso; 51-67
  • Hacia un estudio del cuerpo y la grupalidad en la formación actoral del teatro independiente de la ciudad de Córdoba (Argentina) Yurquina, Paulette; 68-82
  • Una coreopolítica por amasar Calisto Echeveste, Emilia; 89-102
  • Retrato de intimidad Otaño, Estefanía; 103-122
  • Trilogía en solos menores Thürler, Djalma; Woyda, Duda; 123-129
  • Imágenes, testimonios y heridas Perrone, Nicolás; 140-159
  • El teatro negro contemporáneo como posibilidad de praxis crítica interseccional de Andrade Silva, Bianca Camila; Dadico, Luciana; 160-178
  • Ánima Sola Domínguez Virgen, J. Carlos; Tamariz Estrada, María Cristina; 179-198
  • Creación en danza Fonseca de Almeida, Renata Mara; 199-210
  • El camino del/la dramaturgista Hernández Aparicio, Gabriela Guadalupe; 211-224
  • La acústica de lo abstracto en el universo simbólico de la danza Odissi Albergaria, Andrea Itacarambi; 225-245
  • Espectáculo O Miolo da Estória Silva Da Conceição, Raylson; Costa Ribeiro, Tania Cristina; 246-261
  • Voces en el silencio Ormeño Castro, Javier Alfonso; 262-282

    • DOSSIER: Reseña
  • Escrituras de la intimidad en Romina Paula o una reseña ampliada Araudo, Leilén; 283-287

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    Now showing 1 - 3 of 3
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      Hacia un estudio del cuerpo y la grupalidad en la formación actoral del teatro independiente de la ciudad de Córdoba (Argentina)
      (Pontificia Universidad Católica del Perú, 2023-11-13) Yurquina, Paulette
      This paper will pose some initial questions for the development of my doctoral research process. Starting from the premise that acting in the city of Córdoba (Argentina) is configured in spaces of acting training, through the proposed link between an ethics of being with others and the construction of corporeality. Therefore, this research aims to study the acting training of some independent theater groups in the city of Cordoba, specifically the ideas of acting that underlie these trainings, what skills are sought to develop, what corporealities are built through acting training and how the group dimension operates in the training processes. My interest lies in achieving a characterization of acting training in the independent theater of the city of Córdoba with the purpose of contributing to a situated conception of acting. Thus, in the present paper, I will propose the unfolding of the research problematic and some uncertainties and methodological challenges to address the following questions: Why focus on the body and groupality? In a city where formal and non-formal spaces of acting training coexist, how to delimit a corpus of analysis that can account for this particularity and at the same time specify representative acting poetics of the field? What are the most appropriate procedures to recover or reconstruct experiences of teaching and learning processes? How to generate crossings between different disciplinary fields to address the research problem?
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      Ánima Sola
      (Pontificia Universidad Católica del Perú, 2023-11-13) Domínguez Virgen, J. Carlos; Tamariz Estrada, María Cristina
      In the article, we take Ánima Sola, a play about femicides in Mexico, as a starting point to problematize how stage creation assumes the ethical responsibility of representing the victims of violence. We review the notion of event, a concept discussed in different disciplines including Theater and Performing Arts. Using oral history as a methodological approach, more specifically in-depth interviews with the actresses involved in the project, we propose the concept of event in a life trajectory as an analytical aspect that complements other definitions, including that of theatrical event (Dubatti, 2017) and that of event as a set of effects that surpass their causes (Žižek, 2014). The conceptual framework is based on Merleau-Ponty's phenomenology (2002) and José Antonio Sánchez's reflections (2016) on ethics and representation, among others, to reveal that Ánima Sola as a dramatic text demands a disposition and involvement from the subjectivity of the actresses, an event that is expressed as an ethical manifestation of representation.
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      Creación en danza
      (Pontificia Universidad Católica del Perú, 2023-11-13) Fonseca de Almeida, Renata Mara
      This study starts on the discussion about different ways of seeing. To remove the sense of sight out of the daily function to an aesthetic perception of reality, it presents contributions of authors as Merleau-Ponty (1992), Godard (2004), and Blanchot (2001). In a dialectic relation between see and create, it transforms distinct ways of seeing in an impulse to dance creation. The sight, considered through an esthetical and philosophical perspective, independently if it is a blind person or not, puts the creativity on movement. In this way, some experiments based on the relation between see and move, proposed by the author, are described along the text. The conclusion is that the way of seeing, that is to say, someone’s position in relation to the world, is what allows the creation, and not the physiological condition of sight’s sense.