(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-09-05) Bustamante, Emilio
The present article highlights peruvian filmmaker Mary Jiménez as a pioneer of the first person documentary in Latin America, and intents to prove that in her work there is an intention to meet with the Other and reintegrate the individual with the universe.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-09-05) Varotto, Viola
This article is a summary of the current situation on the Peruvian contemporary documentary and an analysis of the forms of audiovisual language management, the promotion of production, as well the training spaces. It proposes, as a reminder, some contemporary filmmakers whose works have been recognized in the local and international media. Finally, it delineates the profile of the contemporary filmmaker.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-09-05) Carbonell, Isabelle
Documentary interview methodologies are often oversimplified and undertheorized, and talking-heads, the technique most strongly associated with the documentary interview, is often perceived as the sole technique for interviewing while it is only one among many. Alternate methodologies are possible, that take into account the sensorial world, moving beyond the talking-head. Encompassing a multisensory approach not only to interview but also to the entire filmmaking process, I have developed a new method of interviewing called the panesthetic method. Baffle Their Minds with Bullsh*t, Kerry Leigh (2013) features a talking head interview style, while in The Blooming (working title), I stay connected by a lav microphone for over 18+ hours on a boat to Wynn, my interviewee. In contrasting these two case studies, the panesthetic approach emerges as a methodological path to rethinking the documentary interview.
