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La Comunidad como forma de integración y organización entre los sicuris en Buenos Aires
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Padin, Esteban Ariel
This article explores a series practices and narratives in order to analyze the forms in which an Andean musical group is configured as community in the Autonomous City of Buenos Aires, Argentina. The fieldwork consisted of making music together with the group, trying to generate an intersubjective practice that questions the division of traditional empiricism. The community is expressed in values, defined as Andean, that model the types of interaction and organization of the group. These aspects are problematized through the link that the Arco Iris Sicuris Community engages with social organizations. Studying the type of links that the group generates and how the sicuris are organized allows me the reflection about the identity construction of the group and its members in a city historically defined as European and non-indigenous. I arrive at the conclusion that the community allows to build identifications that transform the daily practices of the sicuris, through the combination of ethnicized elements in and from the Buenos Aires City, with visions that establish Arco Iris as a different way of being in the world.
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Romero, Raúl. Todas las Músicas. Diversidad sonora y cultural en el Perú. Serie Estudios Etnográficos. Tomo 8 Lima, Instituto de Etnomusicología PUCP 2017. 296 pp
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Nugent, Guillermo
The book All musics. Sound and cultural diversity in Peru, can be described as a foundational work. It is made up of ten essays that develop multiple musical scenes; the Andean predominates, but Creole, Afro-Peruvian, classical music and a field of musical fusion are also included. This work by Romero lays the foundation for the creation of a new field of study: ethnomusicology in Peru.
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Surrallés, Alexandre; Espinosa, Oscar; Jabin, David (eds.) Apus, caciques y presidentes. Estado y política indígena amazónica en los países andinos. Lima: IWGIA, IFEA, PUCP, 2016.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Campanera Reig, Mireia
Apus, chiefs and presidents ... constitutes several achievements. First, the dissemination of the work of the international research group APOCAMPO that strives to nurture the reflection on the confluence of politics, the indigenous, the State and the Amazon, drawing a lively, contemporary composition and criticism. Second, for contributing to look at cities as indigenous spaces. And finally, for thinking the juridical as a language of relationship and political interpellation between diverse and changing social agents, whether due to tensions between indigenous, or between indigenous and non-indigenous, or even by unequal dialogue - sometimes deaf - with the State .
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Sacrificios sensacionales deleitando los sentidos en los Andes bolivianos
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Stobart, Henry
Through extensive ethnographic work, Stobart reviews the links between food production and material and intangible culture production. This article is a good example of the theoretical and empirical strength on which his work is based. In it, very suggestively, Stobart examines the multisensory implications of musical reception in the Macha region, north of Potosí, during the holiday periods. With pleasant and acute prose, Stobart reviews the cultural links between music, sexuality and food, as well as between visual and auditory perceptions to finally focus on the relationships between musical practices, religious offerings and the climate of the Potosian region. Taking the notion of synesthesia in anthropology, Stobart analyzes a rich ethnographic material and brings us closer to indigenous conceptions of the Andes hitherto unheard of for us. A text that, without a doubt, will promote similar approaches to the indigenous music of the Peruvian Andes.
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Leshkowich, Ann Marie. Essential trade: Vietnamese women in a changing marketplace. Honolulu: University of Hawai’i Press, 2014, xi + 251 pp.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Bayona, Jorge
Dentro de las líneas de investigación de género, memoria e identidad, el libro de Ann Marie Leshkowich, Essential trade: Vietnamese women in a changing marketplace ofrece una profunda perspectiva etnográfica de cómo modernidad colonial, revolución socialista, y reformas de mercado han afectado la cultura, vida cotidiana, en especial la cultura familiar y concepciones populares de la moda y el comercio, modificando también las nociones de lo que la condición de mujer y comerciante debería parecer. Leshkowich muestra los espacios liminares en que deben operar y las formas en que las mujeres de Ben Thanh negocian las ventajas y desventajas de los esencialismos de género.
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Presentación de la Sección
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-26) Rivera, Cecilia
No presenta resumen
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¿Eso es tradicional? Contexto, geografías y trayectorias musicales en la construcción de una noción sobre lo “tradicional”. El caso del Trío Los Cholos en Lima Metropolitana
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Molina Palomino, Pablo Alberto
The present article exposes the results of a research project developed between 2011, 2012 and 2016 with Trío Los Cholos in the city of Lima, in which I sought to problematize the sense and use given to the notion of «traditional» within the musical practice of the ensemble, in interaction with its performance contexts. Our departure point was not to consider such term as an objective trait, characteristic of a variety of cultural artifacts according to authenticity rhetorics or academic folklore theories, but as an abstract principle constructed based on a set of meanings, perceptions or valuations defined by the ensemble’s performers. In this sense, it is not sought to determine what is «traditional» but which processes operate to determine the applicability of that category and the actors involved in them. To do this, we reconstructed the life histories of the members of the ensemble and conducted controlled sessions of musical exposition. This allowed us to observe that what we understand as «traditional» responds to a process that starts from the identification of sonorities and styles, which in turn activates representations of place associated to musical geographies and abstract performance contexts.
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Entre las distorsiones de las guitarras eléctricas y el charango: Sónica, cuerpo y performance en las prácticas sonoro-musicales de los jóvenes músicos emberá chamí (Colombia).
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Molano Zuluaga, Juan Carlos
This article is framed in the ethnomusicological interpretations deducted in my field work, in the Emberá Chamí indigenous resguardo in San Lorenzo; in this, the main objective was referring my work in an ethnography of the musical groups of indigenous youths. In this sense, this work evidences musical performance though a punk-rock event made in one of the most encumbered communities in San Lorenzo resguardo and it was denote certain political resistances, corporal and sonic behaviors in the territory. The intention is showing the socio-musical and socio-political meanings that these young musicians attribute to their sound-performance practices, privileging in this case, the tensions generated between: musicians, social actors, residents and the governors of the territory, by the sonic position that these young people attributes to their soundmusical practices.The Emberá Chamí indigenous youth are making different ways of fighting and resistance in order to their voices would be listening, they promulgate them with their sonorous performance practices. With these interpretations just concluding that the Emberá indigenous way of being / stay in San Lorenzo, is evidenced of through certain interpretations so that have been consolidated by the appropriation, listening and practice of punk-rock and Peruvian-Bolivian Andina music.
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Presentación: "Sacrificios sensacionales Deleitando los sentidos en los Andes bolivianos"
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Mendívil, Julio
Anthropologica starts the "Translations" section with an article by British ethnomusicologist Henry Stobart, one of the most important specialists in Bolivian indigenous music, particularly from the Potosí region.
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Mendívil, Julio. En contra de la música. Buenos Aires: Gourmet Musical Ediciones, 2016, 192 pp.
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2018-07-17) Elias Llanos, Fernando
The book covers several current and controversial topics that music causes in our day-to-day life: the concept of music and its pretended universality, its relationship with identity - national and global - and the ways in which it operates, for better or worse, in a society mediated by information technologies.

Anthropologica. Vol. 36 Núm. 40 (2018)

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