El teatro y la televisión como medios de información que refuerzan e imponen los cánones de belleza a mujeres que no cumplen con dichos estándares
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Date
2020-09-11
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Pontificia Universidad Católica del Perú
Abstract
La presente investigación nace de conflictos personales y sociales que tenemos
que vivir las mujeres todos los días. Desde que prendemos nuestro televisor o asistimos
a un espectáculo, la imagen de las actrices que participan de los proyectos suelen tener
cuerpos “perfectos” que calzan dentro de los estándares de belleza establecidos por la
sociedad, excluyendo y negando la existencia de otros tipos de cuerpos con distintas
características físicas.
El objetivo de la investigación consiste en la recopilación de información (dentro
y fuera del Perú) donde se muestre que, a pesar de los años, las empresas y productoras
aún siguen estableciendo e imponiendo sus cánones de belleza mediante la contratación
de actrices esbeltas y con características “atractivas”. Esto, con la finalidad de mostrar un
lado bonito y agradable para el ojo del consumidor masculino y para la desesperación por
alcanzar esas características en las consumidoras femeninas.
En este proyecto se pone en diálogo y se visibiliza un problema ético dentro de la
sociedad. Para ello, se utilizarán las fuentes de autores como Schweitzer, Kogan,
Foucault, Sossa y O’Reilly.
La conclusión final que se obtiene a partir de la información recopilada, es de que,
a pesar de los años y en la mayoría de países, los cánones de belleza para las mujeres
siguen estando fuertemente arraigados y presentes en la sociedad, además de ser
constantemente impulsados por los medios televisivos y teatrales
This research is born of personal and social conflicts that women have to live every day. Since we turn on our television or attend a show, the image of the actresses who participate in the projects usually have “perfect” bodies that fit within the beauty standards established by society, excluding and denying the existence of other types of bodies with different physical characteristics. The objective of the research is the collection of information (inside and outside Peru) where it is shown that, despite the years, companies and producers still establish and impose their beauty fees by contracting fit and slim actresses with "attractive" features, in order to show a nice and pleasant side for the eye of the male consumer and for the desperation to reach those characteristics in the female consumers. This project is put into dialogue and an ethical problem is visible within society. For this, the sources of authors such as Schweitzer, Kogan, Foucault, Sossa and O'Reilly will be used. The final conclusion that is obtained from the information is that, despite the years and the country of precedence, beauty canons for women remain strongly rooted and present in society, in addition to being constantly driven by television and theatrical media.
This research is born of personal and social conflicts that women have to live every day. Since we turn on our television or attend a show, the image of the actresses who participate in the projects usually have “perfect” bodies that fit within the beauty standards established by society, excluding and denying the existence of other types of bodies with different physical characteristics. The objective of the research is the collection of information (inside and outside Peru) where it is shown that, despite the years, companies and producers still establish and impose their beauty fees by contracting fit and slim actresses with "attractive" features, in order to show a nice and pleasant side for the eye of the male consumer and for the desperation to reach those characteristics in the female consumers. This project is put into dialogue and an ethical problem is visible within society. For this, the sources of authors such as Schweitzer, Kogan, Foucault, Sossa and O'Reilly will be used. The final conclusion that is obtained from the information is that, despite the years and the country of precedence, beauty canons for women remain strongly rooted and present in society, in addition to being constantly driven by television and theatrical media.
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Keywords
Belleza femenina (Estética)--Aspectos sociales, Televisión--Industria--Aspectos sociales, Teatro--Industria--Aspecto sociales
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