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La imagen en primer plano: La pasión de Juana de Arco y el poder del rostro
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2016-12-01)
Two peculiarities of the film The Passion of Joan of Arc (Carl Theodor Dreyer,1928) are explored in this essay: its unusual close-ups and its strongly expressivecharacter. We start from the idea that both characteristics ...