Proyecto Fuentes Grabadas del Arte Colonial (PESSCA)

URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/124094

El Project on the Engraved Sources of Spanish Colonial Art (PESSCA) busca documentar el efecto de los grabados europeos en el arte colonial hispanoamericano. Para lograr su propósito, PESSCA ofrece el emparejamiento de obras de arte colonial, junto con las obras originales europeas que sirvieron de modelos. Se ofrecen más de 6500 emparejamientos.


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  • Miniatura
    ÍtemAcceso Abierto
    Gallery 6: The Life of Saint Teresa of Avila (Santiago Series)
    (PESSCA, 2014-02-19) Ojeda, Almerindo E.
    Adriaen Collaert (c.1560-1618) and Cornelis I Galle (1576-1650) designed a series of twenty four engravings on the life of Saint Teresa de Avila (see Gallery 5). This series served as the basis for two series of paintings on the life of the Saint currently in the Convento del Carmen San José (Carmen Alto) in Santiago, Chile. They are known as the Large Series and the Short Series on the Life of Saint Teresa (see Mebold 1987, 54-108). The Large Series on the Life of Saint Teresa consists of thirteen paintings, each measuring two meters in height by two and a half in width. The Small Series on the life of the Saint consists of twenty paintings, each measuring 1.22 meters of height by 1.63 meters of width. Both series were produced by an unknown member of the Cuzco School of painting. Apparently, he was a follower of José Espinoza de los Monteros, the author of the Cuzco series on the life of Saint Teresa featured in Gallery 5. The Large Series was produced around 1690 and the Small Series around 1694 (see Mebold 1987, loc. cit.). To visit this gallery, follow the navigation panel below throughout this website. To move through the gallery, click on the down-arrow; to retrace your steps, click on the up-arrow.
  • Miniatura
    ÍtemAcceso Abierto
    Gallery 5: The Life of Saint Teresa of Avila (Cuzco Series)
    (PESSCA, 2014-02-19) Ojeda, Almerindo E.
    Adriaen Collaert (c.1560-1618) and Cornelis Galle I (1576-1650) designed a series of twenty four engravings on the life of Saint Teresa de Avila. This series, plus the title plate above, was published in Antwerp in 1613, undergoing multiple editions in 1622 and, supposedly in 1677 as well (Diels, Leesberg and Balis 2006, Part IV, 246). The series of Collaert and Galle served as the basis of a series of sixteen paintings executed by José Espinoza de los Monteros en 1682 (Mebold 1987, 55). These paintings hang now in the Church of the Carmelite Convent in Cuzco, Peru. They are displayed on the nave of the church, eight per side. The last painting of the series bears the signature shown below (Mesa and Gisbert 1982, 92f). HAEC Spinosa breui pensilo signa Colorat anno 1682 (Spinosa colors the images in this small pendant in the year 1682). We have collected in this gallery the correspondences between the Collaert-Galle series and the set of paintings by José Espinoza de los Monteros. To visit this gallery, follow the navigation panel below throughout this website. To move through the gallery, click on the down-arrow; to retrace your steps, click on the up-arrow.