Proyecto Fuentes Grabadas del Arte Colonial (PESSCA)
URI permanente para esta comunidadhttp://54.81.141.168/handle/123456789/124094
El Project on the Engraved Sources of Spanish Colonial Art (PESSCA) busca documentar el efecto de los grabados europeos en el arte colonial hispanoamericano. Para lograr su propósito, PESSCA ofrece el emparejamiento de obras de arte colonial, junto con las obras originales europeas que sirvieron de modelos. Se ofrecen más de 6500 emparejamientos.
Acceso Directo a PESSCA
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Ítem Acceso Abierto Gallery 1: The Evangelicae Historiae Imagines(PESSCA, 2014-02-10) Ojeda, Almerindo E.It was Saint Ignatius of Loyola, the founder of the Jesuit order, that approached Father Jerome Nadal (1507-1580) and asked him to design a book that presented episodes of the Gospels with pictures, explanatory texts, and pious meditiations (Kelemen 1951, 201). Father Nadal obliged, designing the Evangelicae Historiae Imagines (or Images of Gospel History). Published posthumously in Antwerp in 1593 at the Plantin-Moretus publishing house, the Evangelicae Historiae Imagines became a monument of Flemish printing in the 16th century. It contains one hundred fifty-three engravings preceded by a frontispiece, which was also engraved. The "inventors" of these images were Gian Battista Fiammeri, Bernardo de Passeri, and Maarten de Vos; its engravers proper were Anton, Hieronymus, and Jan Wierix, as well as Charles Mallery, and Jan Collaert (Mesa and Gisbert 1982, I, 103). The Evangelicae Historiae Imagines was one of the most important sources of Spanish Colonial Art. It traveled throughout the Spanish Empire serving as a book of models for indigenous artists (Fiocco 1987, 3). See for example Mesa and Gisbert 1982, I, 105f. You can sample the impact of the Evangelicae Historiae Imagines in this gallery. Here we display woodcut versions of the mysteries of the rosary done in China ca.1620. The woodcuts were done by an anonymous engraver of the Late Ming Dynasty, and serve as illustrations to Song Nianzhu Guicheng (Method of Reciting the Rosary), a book published by Father João da Rocha, S.J. in Nanjing. To visit this gallery, simply follow the navigation panel below throughout this website. Clicking on the down arrows will take you through the gallery; clicking on the up arrows will allow you to retrace your steps.Ítem Texto completo enlazado El Grabado Como Fuente del Arte Colonial: Estado de la Cuestión(PESSCA, 2014-02-20) Ojeda, Almerindo E.Proyecto sobre las Fuentes Grabadas del Arte Colonial Español (PESSCA), que busca documentar cómo las impresiones y grabados europeos influyeron en el arte colonial español.Ítem Texto completo enlazado The Organization of the PESSCA Archive(PESSCA, 2014-02-20) Ojeda, Almerindo E.El Archivo PESSCA es una colección de imágenes digitales de obras de arte coloniales españolas y el arte gráfico que las inspiró. http://colonialart.pucp.edu.pe/essays/the-organization-of-the-pessca-archive/index.htmlÍtem Texto completo enlazado The Print in the Painting(PESSCA, 2014-02-20) Ojeda, Almerindo E.Podemos ver que las impresiones se incrustaron a las paredes de interiores domésticos o monásticos, sirviendo como ayudas a la piedad privada y como testigos de ella. https://artecolonial.pucp.edu.pe/essays/the-print-in-the-painting-1/the-print-in-the-paintingÍtem Texto completo enlazado What is a Correspondence?(PESSCA, 2014-02-20) Ojeda, Almerindo E.Diremos que dos obras de arte forman una correspondencia si una de ellas es la base, el modelo o el prototipo de la otra. La mayoría de las correspondencias en este proyecto consistirán en un grabado europeo y una pieza colonial española. http://colonialart.pucp.edu.pe/essays/what-is-a-correspondence/index.html