Explorando por Autor "Quispe Lázaro, Arturo"

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Del «Perú hirviente» a la «cultura chicha» : transculturación y relaciones conflictivas en el medio urbano limeño
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2013) Quispe Lázaro, Arturo
La Lima actual, contemporánea del siglo XXI, no se puede entender sin esa suerte de inicio o creación original que significaron los cambios que se dieron desde los años cincuenta; cambios que, finalmente, refundaron la capital e hicieron que tomara un rumbo distinto. A partir de esa fecha, Lima ya no sería la misma. La arcadia previa a esos años se desdibujó y en la ciudad se fueron configurando un nuevo espacio, un nuevo rostro, nuevos gustos, colores y sonidos. Los que le dieron un nuevo contenido fueron los peruanos que no estuvieron en la escena oficial del país en los años precedentes y que, después de la mitad del siglo pasado, asumen un rol protagónico: los «otros», antes, principalmente imaginados como indios o campesinos, se hicieron masivamente presentes en la ciudad, pero no como indígenas, campesinos o runas, sino como cholos, aquellos que se convertirían en los nuevos limeños.
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Estética chicha: nuevas formas de creatividad popular en Lima de inicios del siglo XXI
(Pontificia Universidad Católica del Perú, 2021-11-16) Quispe Lázaro, Arturo
In Lima, new forms of artistic creation that come from the popular sphere have been produced since the beginning of the 21st century. Creations that come from the environment of Peruvian tropical music called chicha music. A significant first step was the change in the design and composition of the chicha poster, from advertising tropical music parties to one that conveyed ideas. In this way, it was connected with other popular and city spaces, becoming a diversity of creative proposals that were called chicha aesthetics. Why in a city like Lima, cosmopolitan, highly interconnected and globalized, does an artistic-cultural production of a popular nature emerge and generate impact from the environment of tropical chicha music? What characteristics does this aesthetic have and what relationship does it establish with ancestral culture in a highly interconnected context? These are some of the questions that we will address in this article, focused on Lima, the first two decades of this century. The methodology is inductive, we have selected a pictorial corpus of existing creations, finally we proposed a taxonomy that allowed us to analyze chicha aesthetics as contemporary artistic expression.
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Globalización y cultura en contextos nacionales y locales: de la chicha a la tecnocumbia
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2001) Quispe Lázaro, Arturo
No presenta resumen
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Lorenzo Palacios, Chacalón: el ídolo popular en el siglo XXI
(Pontificia Universidad Católica del Perú, 2023-07-28) Quispe Lázaro, Arturo
In this article, I will address the social and cultural processes involved in the shaping and popularity of the popular idol of Peruvian tropical music chicha , «Papá Chacalón.» He was a singer who emerged from the most marginalized sectors of Lima society. Among his followers are mayors, prisoners serving their sentence in jail, as well as men and women from the poor neighborhoods of Lima. Several decades after his death, there is a new legion of fans, «chicheros chacaloneros» (Chacalón’s followers). The popular idol, in this context, is configured based on and from the daily relationship between Chacalón and his followers. In this work, I will place special emphasis on the idol-follower relationship, the forms of social interaction, and the cultural assessments involved. I will posit that the ideas of equality and social recognition are central elements in the construction of «Papá Chacalón» as a popular idol and his continuity in the 21st century. This is an ethnographic work carried out during the anniversary festivities of Chacalón, held on April 26 (his birthdate) and June 24 (the day of his death), which also addresses how his followers organize around those dates.