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Now showing items 1-7 of 7
La imagen-movimiento. Deleuze y la relación Beckett- Bergson
(Pontificia Universidad Católica del Perú. Fondo Editorial, 2010)
En La imagen-movimiento y en La imagen-tiempo Deleuze presenta una filosofía del cine basada en el pensamiento de Henri Bergson. En el presente artículo desarrollaremos la concepción del movimiento y de la imagen del ...
De la intimidad a la reflexión: sobre el documental etnográfico Xennials
(Pontificia Universidad Católica del Perú, 2022-08-29)
In Peru, half of the population are women and have a longer life expectancy. They are presented as those who live for others, at all ages, and at all socio-economic levels, therefore it is affirmed that they live in ‘time ...
Cine actual y representación queer: la heteronormativa fórmula de la industria cinematográfica
(Pontificia Universidad Católica del Perú, 2023-11-22)
Cinema is a form of artistic expression that has a significant impact on society, which implies that it is not limited to entertainment, but that its content also has great relevance in the perceptions of individuals. Thus, ...
Three regional filmmakers from the Southern Andes in the Peruvian field of filmTres cineastas regionales del sur andino en el campo cinematográfico peruano
(Pontificia Universidad Católica del Perú, 2022-12-15)
The main objective of this article is to provide an overview of the so-called Peruvian regional cinema. A logic of the cinematographic field in Peru is defined and it seeks to locate there three regional filmmakers from ...
Sobre cuatro ontologías inmanentes en Gilles Deleuze, en el cruce de La imagen-movimiento y Diferencia y repetición
(Pontificia Universidad Católica del Perú, 2023-12-11)
By serially arranging Difference and Repetition (1968) and The Movement Image (1983) this paper sketches four trails in Gilles Deleuze’s divergent ontology, showing how each of the montage schools of classical cinema implies ...
El cine del surandino peruano sobre el conflicto armado: género cinematográfico e hibridez desde los márgenes del establishment de Lima
(Pontificia Universidad Católica del Perú, 2022-07-27)
This article proposes a critical regard on genre confronting this notion with Peruvian South Andean Cinema on the Armed conflict. We start by questioning genre notion, understood as a necessary condition in communicational ...
Different Horizons of Expression in Media: The Case of Animations
(Pontificia Universidad Católica del Perú. Instituto Riva-Agüero, 2022-12-05)
This paper examines the normative constraints that mass society places on movies and artistic animation. Benjamin’s ideas on audience control in relation to technical media products are used to highlight the specific ...